Showing posts with label novel. Show all posts
Showing posts with label novel. Show all posts

The Lincoln Lawyer: A Novel Review

The Lincoln Lawyer: A Novel
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The Lincoln Lawyer: A Novel ReviewAbraham Lincoln is revered by lawyers everywhere for his courtroom skills and practical wisdom. The Lincoln Michael Connelly refers is not Abraham, but rather the automobile.
Mickey Haller, son of an original Los Angeles superstar lawyer, owns several. At times the limousine business seems preferable to his own. But finally he gets, to his eternal regret the "franchise case", the kind of case that not only pays the bills but causes other clients to want his services.
A young rich real estate broker is charged in the attempted murder of a hooker. His insistence in his innocence causes Haller to realize he may have what he has always dreaded, the actually innocent client. But he finds his defense efforts in disarray as the case sours, and he himself becomes a murder suspect.
Non-lawyers usually do not write good legal thrillers. Michael Connelly, a former reporter and America's best mystery writer, is the exception that proves the rule. He has a great ear for the courtroom and a sense of the professional and economic dilemmas trial lawyers face.
I will say this, however, in real life no matter how secret the client confidence, lawyers are ethically able to access the expertise necessary to know how to respond to any dilemma in an ethically sound way. The real Mickey Haller would have picked up the phone to the Bar's hotline for an ethics opinion. That simple act would have destroyed a helluva tale.
I hope we will see more of Haller. He has his demons but he is not as dark a protagonist as Harry Bosch. The reality is, in his first legal thriller, Connelly has produced a book every bit as good as John Grisham's A Time To Kill. That is saying a lot.
The Lincoln Lawyer: A Novel Overview

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The Stand: The Complete and Uncut Edition Review

The Stand: The Complete and Uncut Edition
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The Stand: The Complete and Uncut Edition ReviewBefore I get to the meat of my review, I feel I should provide a little bit of perspective. First, I am not a die-hard Stephen King fan. In fact, aside from "The Stand", I have only read collections of his short stories, so I can assure you my review isn't the rabid defense of an overly loyal admirer. Second, I am not a fan of horror and I wouldn't classify "The Stand" as such. Finally, I am a big fan of the "apocalyptic fiction" genre, and I believe I have a pretty good basis for my evaluation of this novel.
That said, "The Stand" is an incredible novel; perhaps one of the best I have ever read, by any author or in any genre. The story is predicated on the accidental release of a "super-flu" that wipes out 99% of the humans on the planet. The survivors find themselves drawn into a battle between good and evil that will determine the future of the entire planet.
As one might expect, a novel with such an ambitious plot and of such prodigious length touches upon numerous themes. In order to simplify my review, I am going to break down the novel's strengths into the following categories, and then consider them one at a time: world-building, plot, characters and themes.
First is world-building. In most apocalyptic fiction, one (if not both) of two things will be true: 1. The characters stay in one place or 2. The action picks up after the disaster. An example of the first is "Earth Abides" and of the latter "On the Beach". There's nothing wrong with either plot device, but in "The Stand" King injects a remarkable level of detail into his novel by covering the super-flu from start to finish. The novel starts at the very beginning of the outbreak, and many key plot lines are developed before the epidemic ever rears its head. King charts the breakdown and eventual destruction of civilization, and then offers a short, but remarkable, picture of the survivors in the immediate days after the flu has run its course. He makes the subtle observation that many survivors would die in a second wave of suicides, accidents and depression that would weed out many of those unequipped for an empty world. Finally, as the story progresses, King makes remarkable (but not overbearing) predictions about how nature would reshape the U.S. in the absence of man.
Second to consider is the plot. As I alluded to earlier, King has used the emptied United States as a battleground between good and evil. Soon after the flu has run its course, the survivors begin having dreams about an old woman (Mother Abigail) who seems to be marshalling the forces of good, and a malign presence (Randall Flagg) who is gathering those who would serve him and his ends. Insofar as the reader knows, the choice is clear-cut, irrevocable and mandatory. It is very much a "are you with us or against us" type of situation. That said, much of the book is devoted to the characters traveling across country to Boulder or Las Vegas (guess which side is where), no mean feat in a world without mass transit, hotels, etc. In fact, King's writing is so effective, the novel would be fascinating if the characters did nothing but travel around and attempt to reestablish society. The second, metaphysical, layer just makes it all the more interesting.
Thirdly, we have the characters to consider; I'll won't name names or speak in specifics to avoid ruining the plot, but there are a few general points worth mentioning. To start, the cast of characters in "The Stand" rivals that of "Lord of the Rings", and King handles it every bit as well as Tolkien. One might expect that a novel with a story this complex would skimp on character development, but the opposite is actually true. King took a huge idea (good vs. evil) and reduced it to a human element that the reader could digest. His characters show an incredible range of emotion, and even their flaws serve to enhance the reader's view of them. They struggle and fail and are rarely sure of themselves, in other words, they are human. As such, their actions take on a level of realism that is astonishing.
Finally, we come to the themes of the book. The way I see it there are three: the dualistic nature of good and evil, redemption and hope. The first is the most obvious, King correctly points out that good cannot be appreciated or striven for in the absence of bad. We can strive to limit the effects of evil, but it will never be overcome, as King sees greed and hate as intrinsic to the human condition in general, and civilization specifically. The second theme, of redemption, is subtler and offsets the first. King does not paint anyone is irretrievably lost, and along the same lines, he considers how good intentions are frequently misdirected through ignorance and fear. King seems to believe that given the opportunity and support, anyone can salvage their lives. Which brings us to the final theme of hope. As the novel ends, the reader knows that evil has not been vanquished, but also that it can never triumph because within its very nature are the seeds of its destruction. Over time, evil empires have gained power because they have torn down their enemies (see Nazi Germany), but as the saying goes, live by the sword, die by the sword. There is always hope, because evil cannot win.
There are so many other points to touch on, I could write indefinitely, but what it all comes down to is this: if you're looking for a novel that will entertain you even as it makes you think, "The Stand" is for you.
Enjoy!The Stand: The Complete and Uncut Edition Overview

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Elegies for the Brokenhearted: A Novel Review

Elegies for the Brokenhearted: A Novel
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Elegies for the Brokenhearted: A Novel ReviewI saw this on the "Favorites" bookshelf at my library and checked it out. It has around 5 or 6 pieces dedicated to a different person, now deceased, and the effect that person had on the narrator's life. The author understands struggling and what it's like to be poor. This should be required reading for every middle class born American who thinks they know what poverty or a coming from a 'broken' home is like. This book nails it.
The author captures and gives authentic voice to a variety of characters, from a former child prodigy to a sharp-tongued but witty black college student (I think I worked with this girl at the Tic Tock drive-in several years ago.) There was much to inform and amuse and I found myself laughing hard during more than one of the chapters, but especially during the final chapter. Sad stories, but isn't humor born of sadness?
I generally check books out of the library but I'm buying this one for my sister, Michelle. Happy BirthdayElegies for the Brokenhearted: A Novel Overview

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Birds of Paradise: A Novel Review

Birds of Paradise: A Novel
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Birds of Paradise: A Novel ReviewTolstoy said, "Happy families are all alike; every unhappy family is unhappy in its own way." In Diana Abu-Jaber's fourth novel, the Muirs of Miami are a deeply unhappy family. The tale is set in the days leading up to daughter, Felice's, 18th birthday. Her mother, Avis, is a talented pastry chef, running a high-end bakery out of their home. Her father, Brian, is a successful real estate attorney. And at 23, her older brother, Stanley, is running a business he's passionate about. These are privileged people with every reason to be content, but when Felice was only 13 years old, she ran away from home. She didn't run far. She's still in Miami, a "beach kid," sleeping outdoors or squatting in houses. But there's been virtually no contact with her family since she left, and it's torn them apart.
This is not a story of abuse or addiction--although there is abuse and there are drugs in her story. No, Felice was a supremely lovely and loved child being raised by flawed, but essentially good, people. And part of the suspense of the novel is the motivation for Felice's actions. No one can understand why this young girl went off the rails. At one point her father asks himself:
"What. What should he and Avis have done? Put their girl's face on a milk carton?
Missing: Felice Muir, Age 13.
Kidnapped by herself.
Motivation: Unknown
What child does such a thing as that? Could she have been that unhappy?"
The story is told in chapters that alternate between Avis's, Brian's, and Felice's points of view, until Stanley has his say near the novel's end. Based on this overly simple summary, Birds of Paradise sounds like a Lifetime original movie. Nothing could be further from the truth! Diana Abu-Jaber is a lush, evocative novelist capturing subtle emotions and interplays amongst her characters. There is all the grief and confusion you would expect of a family in this situation, but beyond the family unit, there are dangerous friendships and complicated interactions. There is so much happening on so many levels.
Abu-Jaber captures the atmospheric otherness of her setting. ("She remembers how Hannah hated everything about Miami--even some of the best things, like the hooked-nosed white ibises roaming around in the grass and the flowers that blew up into winter foliage--a tree or bush opening overnight into flower like perfumed flames.") And not just the exotic physicality of the place, but the uneasy clash of cultures. ("She'd felt disorientation strong as vertigo after they'd first moved to Miami--as if her magnetic poles had been switched. The drivers were appalling, punching their horns, running reds, cutting each other off like sworn enemies. There were certain shops and restaurants one would not wish to enter unless one spoke Spanish--and not at her halting, college intermediate level, either. There were whole neighborhoods and sections of town where she felt scrutinized and sized up. How many times had she waited by counters while salespeople went in search of `the one' who spoke English?")
Another reviewer described the novel as layered, and that is apt. On the surface, you have the story being told, the family drama. But in other layers, you've got the all kinds of subtext--the psychology of the characters, the social commentary, the time and the place. And there are external stressors ratcheting up tension as the book progresses: a husband's temptation, the danger of the streets, financial crises, and physical jeopardy.
The language is as sumptuous as the rich desserts that Avis creates, and fans of the author won't be surprised by the attention she lavishes on food within the text. Again, beyond mere description, the reader must ponder what is being said about sustenance, nurturing, creativity, privilege. The novel's opening sentence reads, "A cookie, Avis told her children, is a soul." Things are often more than they may at first seem in Abu-Jaber's adept hands. A cookie is more than a cookie, and a family is more than the tragedy that defines it.Birds of Paradise: A Novel Overview

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