American Boy Review

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American Boy ReviewLarry Watson's AMERICAN BOY is an all-American, universal kind of story that will resonate with anyone who grew up in the American heartland of the 50s and 60s. The typical small town of those decades is portrayed perfectly - those downtown blocks that held hardware and grocery stores with the local lawyer and doctor upstairs over the drugstore. Even the latest Plymouth-Dodge innovation, that infamous and short-lived push-button transmission, is featured, the same one that was immortalized in songwriter Greg Brown's "Brand New '64 Dodge."
Matthew Garth is our unlikely hero, a fatherless 16-17 year-old in the 1962-63 school year, who has attached himself for the past several years to the Dunbars, a prominent family in Willow Falls, Minnesota, a small community of a couple thousand. Johnny Dunbar is his classmate and closest friend, but all that will change when an "older woman" enters the picture in the person of Louisa Lindahl. The head of the family, Dr. Dunbar, is a pillar of the local community, although there are early intimations of that pillar being made of salt, with feet of clay.
Like many small towns, Willow Falls is a study in contrasts and opposites. The falls is not really a falls; Frenchman's Forest is not really a forest, but a dark and secret place where the two then-younger boys first learned about the mechanics of sex from an ill-informed older boy, and which later serves as backdrop to more intimate experimentation. Because one of the things that makes AMERICAN BOY such a universal tale is its minutely descriptive attention to all those familiar rites of passage - smoking, drinking, reckless driving, and of course backseat groping with all the heavy breathing, passionate kisses, frenzied frustrations and furtive fumbling with zippers, clasps, breasts and thighs. There is even a very "Mrs Robinson" scene between Matthew and the local lawyer's wife, but it has its own variations making it both original and derivative all at the same time.
Matthew becomes obsessed with the not-so mysterious twenty-something Lydia, who, through a sequence of shocking events, takes up residence with the Dunbars, destroying and changing not just Matthew's friendship with Johnny, but the whole family dynamic.
Yes, this is a masterfully rendered story of a friendship and family torn assunder and innocence lost. An old tale to be sure, but Watson makes it all seem new and fresh, employing characters all too human and flawed.
As a coming-of-age story, countless comparisons could probably be made. I've already suggested The Graduate, but the ones I first thought of were Evan Hunter's Last Summer and Herman Raucher's Summer of '42, both books from 30-40 years ago, and, more recently, Donald Lystra's northern Michigan story, Season of Water and Ice.
AMERICAN BOY is, in the end, an old tale made new and fresh through the story-telling skills of a master hand at fiction. Larry Watson burst onto the book scene nearly twenty years ago with his first novel, MONTANA 1948., a shocking and beautiful book. His latest offering shows he is still at the top of his game. If you appreciate serious literary fiction, READ THIS BOOK!
- Tim Bazzett, author of the REED CITY BOY trilogyAmerican Boy Overview

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