The Prime of Miss Jean Brodie, The Girls of Slender Means, The Driver's Seat, The Only Problem (Everyman's Library Classics & Contemporary Classics) Review

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The Prime of Miss Jean Brodie, The Girls of Slender Means, The Driver's Seat, The Only Problem (Everyman's Library Classics & Contemporary Classics) ReviewThe Prime of Miss Jean Brodie is, as Tom Farber said of Evan Connell's Mrs. Bridge, satire written with a scalpel. It's precise and sharp, and you also get the feeling things are being laid open and cut away. At times she is as cruel and cold (consider Mary, for instance, whose stupidity is described with disdain even as she is dying horrifically). You have to have a certain amount of tolerance for an author who just isn't very nice.
This is a novel of exceptional complexity that reads like a simple little story of a bygone time. It's worth reading again and again.
And The Girls of Slender Means is, if anything, even better. In it's construction it's a little like one of the locked-room mysteries that Agatha Christie wrote, only it's about something much more upsetting than some vicar getting kacked in the rectory.
Ian McEwan would give his front teeth to be able to write novels like these.The Prime of Miss Jean Brodie, The Girls of Slender Means, The Driver's Seat, The Only Problem (Everyman's Library Classics & Contemporary Classics) Overview

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The Big Sleep; Farewell, My Lovely; The High Window (Everyman's Library) Review

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The Big Sleep; Farewell, My Lovely; The High Window (Everyman's Library) ReviewNot whether to get it -- for you must -- but which edition to get it in -- that is the question. And the Everyman's edition is the edition you want. It has three novels to Modern Library's two, and its paper is thicker than that of the Library of America edition. The font is a tad smaller than that in the Vintage Crime paperback editions, but still pleasantly readable. And the hardcover binding is a sturdy, beautiful and very strokable red cloth.
As for the novels themselves, well, suffice to say, they are classics: addictive, page-turning, vivid, funny, haunting. The characters are original and believable. All rendered in tight prose and witty, convincing dialogues.
Enjoy.The Big Sleep; Farewell, My Lovely; The High Window (Everyman's Library) Overview

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The Talented Mr. Ripley, Ripley Under Ground, Ripley's Game (Everyman's Library) Review

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The Talented Mr. Ripley, Ripley Under Ground, Ripley's Game (Everyman's Library) ReviewIf you like characters in fiction that get under your skin, then this anthology is for you. Under the darkened pen of Patricia Highsmith, Tom Ripley, her most memorable character of fiction, brilliantly comes to life. Growing from a poor, insecure boy, to a suave, albeit dangerous man of the world, Tom Ripley takes you along through the passages of his life, holding you as a willing hostage to the dark secrets he keeps. From the Sunny shores of Italy to the elegant French countryside, we are allowed to eavesdrop into the inner workings of a master deceiver. Rarely do we get the chance to watch a character mature as the author matures, but over the course of several decades, Ms. Highsmith, accomplished the task by writing 5 books dealing with Tom Ripley. Her three best novels of the series are presented here.
For a good old fashioned, up all night, reading marathon, you can't go far wrong with this anthology. If you enjoy the feelings of hope, excitement, dispair, fear and loss then you'll love this compilation. Having read all the Tom Ripley novels, the only dissapointment I have is that there are no more.The Talented Mr. Ripley, Ripley Under Ground, Ripley's Game (Everyman's Library) Overview

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The Big Sleep & Farewell, My Lovely (Modern Library) Review

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The Big Sleep & Farewell, My Lovely (Modern Library) ReviewSeeing as how "The Big Sleep" and "Farewell, My Lovely" are the first two Philip Marlowe detective novels that Raymond Chandler wrote (published in 1939 and 1940, respectively), this is a grand place for a Chandler novice to begin pursuing the morally decrepit alleys and boulevards of the rich and not-so-rich in Los Angeles.
One thing you should note is that Chandler held the conventional detective stories (think: Agatha Christie) in disdain. Ergo, any attempt of mine to barf back the plots to you is a waste of time. They are so complex that you often forget exactly what happened shortly after you finish reading the books themselves...which doesn't detract from their quality whatsoever mind you. It's been told often enough that after their publication, Chandler often didn't even know what was going on in his own novels!
Suffice to say that both books concern murder among the wealthy elites in L.A. during Chandler's life--a time when the city was a lot smaller than its present size, and more hostile to outsiders--particularly to people of color. "The Big Sleep" concerns a disappearance and a reclusive millionaire and his two daughters (one is a mentally deranged nymphomaniac; the other is a bit more sensible, but no less shady) and the lengths he'll go to protect them. While this isn't the best Marlowe novel, this is probably the best place to start. Plus, it got made into a pretty good movie starring Bogie and Bacall.
"Farewell, My Lovely" is perhaps the most politically incorrect of the Marlowe books. It starts off with a murder at a bar in South Central L.A. and extends its tentacles into jewel heists and gambling rings where it is difficult to ascertain exactly who is doing what to whom. In Chandler's L.A., nothing is what it seems.
The story itself is engrossing, however, you must prepare yourself for Marlowe dropping the "N" word at least once, and his mockery of an American Indian for speaking in pidgeon English. Remember that this was 1940 and was 25 years before the Watts riots began to put an end to the white-dominated old boys network that used to rule L.A. That in itself makes it an interesting look at the mentality of the powers at be (the wealthy, the LAPD) and see how much has changed since Chandler's day...and how much hasn't.
My personal favorite of Chandler's books is "The Long Goodbye"--the second-to-last Marlowe novel that was published in 1954. I would rank both of these books below that one, but "Farewell, My Lovely" is a close second, while "The Big Sleep" is an auspicious debut for the hard-boiled, cynical, yet romantic ...
For those who are willing to take more than a passive interest in the works of Raymond Chandler, this two-book set is an excellent place to start. Furthermore, for those who are merely casual Chandler fans, this set is great because these two books are among his best (and it looks nice on your bookshelf too!)The Big Sleep & Farewell, My Lovely (Modern Library) Overview

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We Tell Ourselves Stories in Order to Live: Collected Nonfiction (Everyman's Library) Review

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We Tell Ourselves Stories in Order to Live: Collected Nonfiction (Everyman's Library) ReviewThis book came up while I was buying "Political Fictions" for a friend of mine, and I was worried I'd missed something, but actually it's every nonfiction book she's written up through 2003. I've savored every word of Didion's nonfiction since reading "Goodbye To All That" (the final essay of Slouching Toward Bethlehem) in a nonfiction class in college , and she's never let me down. It's not simply that Didion is one of our greatest writers, its that her style is so incisive and unforgettable because she works with only a whisper of the incredible effort and vision she creates, she undoes the reader with observations that don't appear to be observations - she makes her conclusions about culture, nature, and humanity the only conclusions, and she can devastate, over and over again, in a single sentence. It's crazy to think of all of the nonfiction books I've bought of hers fitting concisely into under 1200 pages, but how lucky for the people that own this book to be able to do what took me years to do - track down each piece and appreciate it separately (except for the uber-successful Year of Magical Thinking, which still requires its own purchase). I hope readers take the time to appreciate the differences in each work, to consider how time and how Didion's consciousness adjusted from one book to the next, but the important thing is that she continue to be read and enjoyed. Here, you can read a piece like "Goodbye to All That," or "Quiet Days In Malibu," or that devastating final chapter of Where I Was From to hear that beautiful, plaintive, liberating sad voice, and then follow it up with Salvador or "In The Realm of the Fisher King" or "Vichy Washington" and appreciate a cunning that rips into politics and the culture at large. One strange review on here stated that it was unlikely Didion's work would outlast her life much, and while I don't know that to be untrue (I mean, she's still alive), one thing I've loved about her is that any contextual writing she does - writing about Joan Baez in the 60's, say, or seeing Georgia O'Keefe in the 70's, or Miami, or El Salvador, or Reagan or Hawaii - feels current because it speaks to the human observation watching it occur, and because the culture we make up (the "stories we tell ourselves") around whatever's occuring always remain the same. I wasn't alive or cognizant when much of what she writes about occurs, but to me, Didion's one of the great writers that made me feel connected to the world, feel less alone, and feel thrilled at every topic she's discussed.We Tell Ourselves Stories in Order to Live: Collected Nonfiction (Everyman's Library) Overview

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