Lewis: Main Street and Babbitt (Library of America) Review

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Lewis: Main Street and Babbitt (Library of America) ReviewI read "Main Street" several years ago. It impressed me then and the memory of it has stayed with me. I had previously read "Babitt" and "Arrowsmith" which were both good novels but neither compared to "Main Street". Both previous novels poked fun at small town middle America. As a resident of North Dakota, I got a good chuckle over Lewis's portrayal of Arrowsmith's brief trip to our fair state. My recollections of "Babitt" are that it was rather satirical in its' imagery of a shallow well-to-do man. All of us could chuckle at him because he reminded us of so many people we knew. The impact of "Main Street", to me, is how we see the world through the eyes of the main character; the doctor's wife. She is a real person dealing with real observations about real people in a real community. Something in her clicks and says, "this is all too shallow, too plastic, too predetermined". We agree with her and yet feel somewhat uncomfortable in doing so because there is so much that she questions and much of it we have already accepted. I was extremely impressed with Lewis's portrayal of this feminine character and how he chose her (as opposed, for example, to her husband) to be the eyes of his reality. For that time and place, it was, I think, a bold move on the author's part. And it works! I remeber the impact of her questioning her relationship with her husband. It almost seemed like a scene out of "Invasion of the Body Snatchers".
This book was the one that made Lewis notorious in his own home town. I expected to have to appreciate the times to be able to appreciate the book. I found myself sensing issues and scenarios that are just as common and real today. If you only have time for one book by America's first Nobel Prize-winning author, I recommend that you select this one to read. You won't be sorry!Lewis: Main Street and Babbitt (Library of America) Overview

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Crime Novels: American Noir of the 1950s: The Killer Inside Me / The Talented Mr. Ripley / Pick-up / Down There / The Real Cool Killers (Library of America) (Vol 2) Review

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Crime Novels: American Noir of the 1950s: The Killer Inside Me / The Talented Mr. Ripley / Pick-up / Down There / The Real Cool Killers (Library of America) (Vol 2) ReviewThis book is the second volume in the Library of America set on American crime noir. I enjoyed the first volume so much that I decided to read the second one during Christmas break. Once again, the LOA has done a nice job of collecting a fine series of stories. These stories were written during the 1950's and 1960's. The book is nice to look at too; it's covered in red cloth with a cloth bookmark.
The first story is from the demented mind of Jim Thompson. This story, called The Killer Inside Me, is much better than The Grifters, a book by Thompson that I read some time ago. The Grifters seemed to be pretty one-dimensional with respect to its characters. This story is the exact opposite. A deputy sheriff in a Texas city has a terrible secret. He plays dumb on the outside, but inside he is a cunning sociopath. A long simmering resentment leads to a terrible revenge. Bodies quickly stack up as a result. This seems to be the story that Thompson is best known for and it's no surprise why. This is a dark, twisted tale with a grim ending.
Patricia Highsmith wrote a whole series of stories concerning Tom Ripley. The one included here is The Talented Mr. Ripley, probably better known due to the recent film with Matt Damon. This tale isn't as noir as I would have liked, but it still has enough twists and turns to keep anybody in suspense. Ripley is a low class conniver who ingratiates himself into a wealthy family who wants him to go to Italy and bring back their son. Ripley sees the potential for bucks and meets up with the kid and his lady friend. Of course, things take a turn for the worse and the bodies start stacking up. This story was probably my least favorite out of the entire collection.
The next story, Pick-Up, by Charles Willeford, is a depressing tale about two alcoholics who go bump in the night. The story follows the adventures of this alcoholic couple as they attempt suicide, check themselves into a mental hospital, and drink themselves into a stupor. After the female half of the couple dies in another suicide pact, the story switches to a prison tale. The end is somewhat of a twist, but really doesn't impact the story that much, in my opinion. Again, not really noir as noir can be, but still a fine story that can stand by itself.
Down There, by David Goodis, is a wild ride of a tale. Full of suspense and death, this is a great story that deserves to be included here. A family of ne'er-do-wells drags their talented piano-playing brother into their personal problems. The background information on Eddie, the piano player, is phenomenal. The tragedy that has struck him once is bound to repeat itself again. This story has great bit characters that really liven up the background.
The final story, by Chester Himes, is The Real Cool Killers. This is noir on acid: pornographic violence, massive doses of grim reality, and characters you're glad to see get killed. The story is set in Harlem and involves two tough cops named Grave Digger Jones and Coffin Ed Johnson. Someone kills a white guy in Harlem and the cops try and track them down. This story contains one of the funniest descriptions of a person falling off a balcony that I've ever read (and I've read a few, disturbingly enough). The writing has enough similes and metaphors to give Raymond Chandler an apoplectic fit. A cool story that certainly deserves a place in this book.
If you like noir, read these two LOA novels. They are long (together they're almost 2000 pages) but it is definitely worth the effort. These kinds of stories are just a great way to while away some free time and relieve stress.Crime Novels: American Noir of the 1950s: The Killer Inside Me / The Talented Mr. Ripley / Pick-up / Down There / The Real Cool Killers (Library of America) (Vol 2) Overview

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The Talented Mr. Ripley, Ripley Under Ground, Ripley's Game (Everyman's Library) Review

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The Talented Mr. Ripley, Ripley Under Ground, Ripley's Game (Everyman's Library) ReviewIf you like characters in fiction that get under your skin, then this anthology is for you. Under the darkened pen of Patricia Highsmith, Tom Ripley, her most memorable character of fiction, brilliantly comes to life. Growing from a poor, insecure boy, to a suave, albeit dangerous man of the world, Tom Ripley takes you along through the passages of his life, holding you as a willing hostage to the dark secrets he keeps. From the Sunny shores of Italy to the elegant French countryside, we are allowed to eavesdrop into the inner workings of a master deceiver. Rarely do we get the chance to watch a character mature as the author matures, but over the course of several decades, Ms. Highsmith, accomplished the task by writing 5 books dealing with Tom Ripley. Her three best novels of the series are presented here.
For a good old fashioned, up all night, reading marathon, you can't go far wrong with this anthology. If you enjoy the feelings of hope, excitement, dispair, fear and loss then you'll love this compilation. Having read all the Tom Ripley novels, the only dissapointment I have is that there are no more.The Talented Mr. Ripley, Ripley Under Ground, Ripley's Game (Everyman's Library) Overview

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The Big Sleep & Farewell, My Lovely (Modern Library) Review

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The Big Sleep & Farewell, My Lovely (Modern Library) ReviewSeeing as how "The Big Sleep" and "Farewell, My Lovely" are the first two Philip Marlowe detective novels that Raymond Chandler wrote (published in 1939 and 1940, respectively), this is a grand place for a Chandler novice to begin pursuing the morally decrepit alleys and boulevards of the rich and not-so-rich in Los Angeles.
One thing you should note is that Chandler held the conventional detective stories (think: Agatha Christie) in disdain. Ergo, any attempt of mine to barf back the plots to you is a waste of time. They are so complex that you often forget exactly what happened shortly after you finish reading the books themselves...which doesn't detract from their quality whatsoever mind you. It's been told often enough that after their publication, Chandler often didn't even know what was going on in his own novels!
Suffice to say that both books concern murder among the wealthy elites in L.A. during Chandler's life--a time when the city was a lot smaller than its present size, and more hostile to outsiders--particularly to people of color. "The Big Sleep" concerns a disappearance and a reclusive millionaire and his two daughters (one is a mentally deranged nymphomaniac; the other is a bit more sensible, but no less shady) and the lengths he'll go to protect them. While this isn't the best Marlowe novel, this is probably the best place to start. Plus, it got made into a pretty good movie starring Bogie and Bacall.
"Farewell, My Lovely" is perhaps the most politically incorrect of the Marlowe books. It starts off with a murder at a bar in South Central L.A. and extends its tentacles into jewel heists and gambling rings where it is difficult to ascertain exactly who is doing what to whom. In Chandler's L.A., nothing is what it seems.
The story itself is engrossing, however, you must prepare yourself for Marlowe dropping the "N" word at least once, and his mockery of an American Indian for speaking in pidgeon English. Remember that this was 1940 and was 25 years before the Watts riots began to put an end to the white-dominated old boys network that used to rule L.A. That in itself makes it an interesting look at the mentality of the powers at be (the wealthy, the LAPD) and see how much has changed since Chandler's day...and how much hasn't.
My personal favorite of Chandler's books is "The Long Goodbye"--the second-to-last Marlowe novel that was published in 1954. I would rank both of these books below that one, but "Farewell, My Lovely" is a close second, while "The Big Sleep" is an auspicious debut for the hard-boiled, cynical, yet romantic ...
For those who are willing to take more than a passive interest in the works of Raymond Chandler, this two-book set is an excellent place to start. Furthermore, for those who are merely casual Chandler fans, this set is great because these two books are among his best (and it looks nice on your bookshelf too!)The Big Sleep & Farewell, My Lovely (Modern Library) Overview

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We Tell Ourselves Stories in Order to Live: Collected Nonfiction (Everyman's Library) Review

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We Tell Ourselves Stories in Order to Live: Collected Nonfiction (Everyman's Library) ReviewThis book came up while I was buying "Political Fictions" for a friend of mine, and I was worried I'd missed something, but actually it's every nonfiction book she's written up through 2003. I've savored every word of Didion's nonfiction since reading "Goodbye To All That" (the final essay of Slouching Toward Bethlehem) in a nonfiction class in college , and she's never let me down. It's not simply that Didion is one of our greatest writers, its that her style is so incisive and unforgettable because she works with only a whisper of the incredible effort and vision she creates, she undoes the reader with observations that don't appear to be observations - she makes her conclusions about culture, nature, and humanity the only conclusions, and she can devastate, over and over again, in a single sentence. It's crazy to think of all of the nonfiction books I've bought of hers fitting concisely into under 1200 pages, but how lucky for the people that own this book to be able to do what took me years to do - track down each piece and appreciate it separately (except for the uber-successful Year of Magical Thinking, which still requires its own purchase). I hope readers take the time to appreciate the differences in each work, to consider how time and how Didion's consciousness adjusted from one book to the next, but the important thing is that she continue to be read and enjoyed. Here, you can read a piece like "Goodbye to All That," or "Quiet Days In Malibu," or that devastating final chapter of Where I Was From to hear that beautiful, plaintive, liberating sad voice, and then follow it up with Salvador or "In The Realm of the Fisher King" or "Vichy Washington" and appreciate a cunning that rips into politics and the culture at large. One strange review on here stated that it was unlikely Didion's work would outlast her life much, and while I don't know that to be untrue (I mean, she's still alive), one thing I've loved about her is that any contextual writing she does - writing about Joan Baez in the 60's, say, or seeing Georgia O'Keefe in the 70's, or Miami, or El Salvador, or Reagan or Hawaii - feels current because it speaks to the human observation watching it occur, and because the culture we make up (the "stories we tell ourselves") around whatever's occuring always remain the same. I wasn't alive or cognizant when much of what she writes about occurs, but to me, Didion's one of the great writers that made me feel connected to the world, feel less alone, and feel thrilled at every topic she's discussed.We Tell Ourselves Stories in Order to Live: Collected Nonfiction (Everyman's Library) Overview

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