Lewis: Main Street and Babbitt (Library of America) Review

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Lewis: Main Street and Babbitt (Library of America) ReviewI read "Main Street" several years ago. It impressed me then and the memory of it has stayed with me. I had previously read "Babitt" and "Arrowsmith" which were both good novels but neither compared to "Main Street". Both previous novels poked fun at small town middle America. As a resident of North Dakota, I got a good chuckle over Lewis's portrayal of Arrowsmith's brief trip to our fair state. My recollections of "Babitt" are that it was rather satirical in its' imagery of a shallow well-to-do man. All of us could chuckle at him because he reminded us of so many people we knew. The impact of "Main Street", to me, is how we see the world through the eyes of the main character; the doctor's wife. She is a real person dealing with real observations about real people in a real community. Something in her clicks and says, "this is all too shallow, too plastic, too predetermined". We agree with her and yet feel somewhat uncomfortable in doing so because there is so much that she questions and much of it we have already accepted. I was extremely impressed with Lewis's portrayal of this feminine character and how he chose her (as opposed, for example, to her husband) to be the eyes of his reality. For that time and place, it was, I think, a bold move on the author's part. And it works! I remeber the impact of her questioning her relationship with her husband. It almost seemed like a scene out of "Invasion of the Body Snatchers".
This book was the one that made Lewis notorious in his own home town. I expected to have to appreciate the times to be able to appreciate the book. I found myself sensing issues and scenarios that are just as common and real today. If you only have time for one book by America's first Nobel Prize-winning author, I recommend that you select this one to read. You won't be sorry!Lewis: Main Street and Babbitt (Library of America) Overview

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A Confederacy Of Dunces Review

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A Confederacy Of Dunces ReviewThis is an incredibly funny and intelligent book. I initially borrowed it from the library, but ended up buying copies for friends. Next, I will have to get one for myself. It is a read you will want to read again and again. A Pulitzer Prize winner.A Confederacy Of Dunces Overview

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Crime Novels: American Noir of the 1950s: The Killer Inside Me / The Talented Mr. Ripley / Pick-up / Down There / The Real Cool Killers (Library of America) (Vol 2) Review

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Crime Novels: American Noir of the 1950s: The Killer Inside Me / The Talented Mr. Ripley / Pick-up / Down There / The Real Cool Killers (Library of America) (Vol 2) ReviewThis book is the second volume in the Library of America set on American crime noir. I enjoyed the first volume so much that I decided to read the second one during Christmas break. Once again, the LOA has done a nice job of collecting a fine series of stories. These stories were written during the 1950's and 1960's. The book is nice to look at too; it's covered in red cloth with a cloth bookmark.
The first story is from the demented mind of Jim Thompson. This story, called The Killer Inside Me, is much better than The Grifters, a book by Thompson that I read some time ago. The Grifters seemed to be pretty one-dimensional with respect to its characters. This story is the exact opposite. A deputy sheriff in a Texas city has a terrible secret. He plays dumb on the outside, but inside he is a cunning sociopath. A long simmering resentment leads to a terrible revenge. Bodies quickly stack up as a result. This seems to be the story that Thompson is best known for and it's no surprise why. This is a dark, twisted tale with a grim ending.
Patricia Highsmith wrote a whole series of stories concerning Tom Ripley. The one included here is The Talented Mr. Ripley, probably better known due to the recent film with Matt Damon. This tale isn't as noir as I would have liked, but it still has enough twists and turns to keep anybody in suspense. Ripley is a low class conniver who ingratiates himself into a wealthy family who wants him to go to Italy and bring back their son. Ripley sees the potential for bucks and meets up with the kid and his lady friend. Of course, things take a turn for the worse and the bodies start stacking up. This story was probably my least favorite out of the entire collection.
The next story, Pick-Up, by Charles Willeford, is a depressing tale about two alcoholics who go bump in the night. The story follows the adventures of this alcoholic couple as they attempt suicide, check themselves into a mental hospital, and drink themselves into a stupor. After the female half of the couple dies in another suicide pact, the story switches to a prison tale. The end is somewhat of a twist, but really doesn't impact the story that much, in my opinion. Again, not really noir as noir can be, but still a fine story that can stand by itself.
Down There, by David Goodis, is a wild ride of a tale. Full of suspense and death, this is a great story that deserves to be included here. A family of ne'er-do-wells drags their talented piano-playing brother into their personal problems. The background information on Eddie, the piano player, is phenomenal. The tragedy that has struck him once is bound to repeat itself again. This story has great bit characters that really liven up the background.
The final story, by Chester Himes, is The Real Cool Killers. This is noir on acid: pornographic violence, massive doses of grim reality, and characters you're glad to see get killed. The story is set in Harlem and involves two tough cops named Grave Digger Jones and Coffin Ed Johnson. Someone kills a white guy in Harlem and the cops try and track them down. This story contains one of the funniest descriptions of a person falling off a balcony that I've ever read (and I've read a few, disturbingly enough). The writing has enough similes and metaphors to give Raymond Chandler an apoplectic fit. A cool story that certainly deserves a place in this book.
If you like noir, read these two LOA novels. They are long (together they're almost 2000 pages) but it is definitely worth the effort. These kinds of stories are just a great way to while away some free time and relieve stress.Crime Novels: American Noir of the 1950s: The Killer Inside Me / The Talented Mr. Ripley / Pick-up / Down There / The Real Cool Killers (Library of America) (Vol 2) Overview

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Nabokov: Novels 1955-1962: Lolita / Pnin / Pale Fire (Library of America) Review

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Nabokov: Novels 1955-1962: Lolita / Pnin / Pale Fire (Library of America) ReviewThree classic novels and a solid screenplay adaptation -- Vladimir Nabokov's literary genius is perhaps best shown in the second volume of Library of America's collections. The classic "Lolita" is paired with its own screenplay adaptation, and the comic "Pnin" and witty "Pale Fire."
"Lolita" is the tale for which Nabokov is best known. The redundantly-named, middle-aged (dirty old man) Humbert Humbert is haunted by some teenage love he had long ago, and which he thinks he has refound in the prepubescent Delores Haze (called "Lolita" by Humbert). He sets out to seduce the unsuspecting girl, but her mom is standing in the way...
"Pnin" is a gently comic tale about Timofey Pnin, a timid, moderately neurotic Russian professor who now lives in the United States. He's amazed by technology, fussy, a bit weird about his health, and has problems with American train schedules. The unfortunate Pnin stumbles from one problem to another, trying to keep everything under control in uncontrollable circumstances.
"Pale Fire" is perhaps the best literary satire out there. Poet John Shade wrote the sprawling 999-line poem "Pale Fire," shortly before being murdered. After his death, the poem is being painstakingly dissected and annotated by his neighbor, Charles Kinbote. Except Kinbote is a nutjob, who interprets "Pale Fire" as being all about him, and will come up with weird symbolism to justify his belief.
"Lolita: A Screenplay" is almost a different version of "Lolita." Here Nabokov recounted the same events of the novel, but from an ominiscent perspective -- that of the person who would be watching the movie. Very rich, very well-adapted, very evocative for a screenplay, this is almost as good as a book in itself.
Nabokov could handle just about any kind of writing, this collection shows us. From the opulent poetry of "Pale Fire" to the solid screenplay, from the erotic drama of "Lolita" to the chuckling comedy of "Pnin," he handles it all. His writing is detailed and lush, rich almost to the point of choking. He shifts perspectives, tells a story through annotation, sees through the eyes of a pedophile, and does it all with a certain winking flair.
Nabokov's writing is a combination of believable characterizations and rich language. Humbert Humbert, for example, is a horrendously believable person, especially since he makes constant excuses for his pedaphilic behavior -- the characterization is so good, in fact, that newcomers might even think (incorrectly) that Nabokov sympathized with the creep. At the same time, he creates the rather pitiful, absentminded Pnin, the self-serving nutcase Kinbote -- and they're all delightfully three-dimensional. You could bump into people like these on the bus at any time, and they would be just as he describes them.
Comedy, drama, satire and screenwriting are collected in the second Library of America collection of Nabokov's novels. Sexy, funny, brilliant and exquisitely written, these are among the best of Vladimir Nabokov's works.Nabokov: Novels 1955-1962: Lolita / Pnin / Pale Fire (Library of America) Overview

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Philip K. Dick: Four Novels of The 1960s / The Man in the High Castle / The Three Stigmata of Palmer Eldrich / Do Androids Dream of Electric Sheep? / Ubik (Library of America No. 173) Review

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Philip K. Dick: Four Novels of The 1960s / The Man in the High Castle / The Three Stigmata of Palmer Eldrich / Do Androids Dream of Electric Sheep / Ubik (Library of America No. 173) ReviewIn the 1960s, when he wrote these four novels, Philip K. Dick was not known, as he is today, as an acclaimed "literary" science-fiction writer and visionary who inspired many films. Since his death in 1982, his reputation has steadily soared, a little bit too late, and now this former genre journeyman toiling in obscurity has become the first sf author to be enshrined in a handsome omnibus volume in the esteemed Library of America series. Of course, I had to buy it even though I already owned multiple copies of all these novels. It is a genuine pleasure to read any of the LOA volumes, so lovingly produced they are. And this one especially so, compiled as it was by an author heavily influenced by Dick, Jonathan Lethem. You will never see a biographical chronology so interesting to read in its own right: we even learn that Timothy Leary called Dick during John and Yoko's bed-in and he put the famous pair on the phone to tell PKD that they wanted to film one of the four novels contained here, The Three Stigmata of Palmer Eldritch. Incidentally, Lethem's taste is impeccable. Though Dick wrote no fewer than 21 novels in the 1960s (plus a couple of dozen more before and after), these are without a doubt the four best: The Three Stigmata, The Man in the High Castle, Ubik, and Do Androids Dream of Electric Sheep? One could easily compile another such volume with four more extremely strong novels of this period: Clans of the Alphane Moon, Dr. Bloodmoney, Now Wait for Last Year, and Martian Time-Slip. However, the ones collected here are the ones I would pick, if I could have only four. They are all absolute classics and support many rereadings. I remember when in the 1970s, I encountered Three Stigmata for the first time and could not totally make sense of it, but I was intrigued. It was hallucinogenic, it was trippy, it was theological. A few years later I found myself seeking it out again, rereading with a passion, finally really "getting it," and then compulsively seeking out everything I could find by PKD. It took me years but I eventually tracked down every last out-of-print forgotten paperback. Since then all his works have been reprinted and made easily available. But my original "discovery" experience is why this LOA volume means so much to me now. The Man in the High Castle is perhaps the best alternate history ever written, a speculation on what life would have been like if the Germans and Japanese had won World War II. Ubik is a brilliant ontological quest into the very structure of reality. Do Androids Dream, the novel on which the film Blade Runner is based, is among other things a meditation on what it means to be human. These four novels have become like cornerstones in my own life's journey. For them to have been given this respectful and definitive publication is something that brings me a lot of pleasure, and would also, I think, have pleased Philip K. Dick.Philip K. Dick: Four Novels of The 1960s / The Man in the High Castle / The Three Stigmata of Palmer Eldrich / Do Androids Dream of Electric Sheep / Ubik (Library of America No. 173) Overview

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Raymond Chandler: Later Novels and Other Writings: The Lady in the Lake / The Little Sister / The Long Goodbye / Playback /Double Indemnity / Selected Essays and Letters (Library of America) Review

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Raymond Chandler: Later Novels and Other Writings: The Lady in the Lake / The Little Sister / The Long Goodbye / Playback /Double Indemnity / Selected Essays and Letters (Library of America) ReviewContained in this volume are the last four (of seven) Marlowe novels, the Double Indemnity script co-written with Billy Wilder (including lines that were cut), his famous essay on "The Simple Art of Murder", one on "Writers in Hollywood", another titled "Twelve Notes on the Mystery Story", and finally "Notes (very brief, please) on English and American Style". Couple these with thoroughly entertaining and sometimes revealing letters to friends and fans, and you can't miss.
In one of these letters he even discusses fellow hardboiled writer Ross Macdonald's (here called John, as he hadn't changed his name yet) The Moving Target, which cribbed some ideas from The Big Sleep and Dashiell Hammett's The Thin Man.
The novels themselves? Classic Chandler - enough said. If you'd like to know why you should expect the best in hardboiled detective fiction, well, read 'em all, or at least one. (If you're planning on that course of action, try the first in the series, The Big Sleep, included in a similar volume called Stories and Early Novels: Pulp Stories/The Big Sleep/Farewell, My Lovely/The High Window.)
Bottom line, this is required reading for anyone who won't read just anything but at the same time doesn't limit themself to Anna Karenina.Raymond Chandler: Later Novels and Other Writings: The Lady in the Lake / The Little Sister / The Long Goodbye / Playback /Double Indemnity / Selected Essays and Letters (Library of America) Overview

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