The Agnostics (Michigan Literary Fiction Awards) Review

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The Agnostics (Michigan Literary Fiction Awards) ReviewThis is literary fiction at its best. Vividly drawn characters, brilliant description and detail, a gripping, moving story told with a discerning eye and an open heart. The worn fabric of a family's life is ripped to shreds, then pieced together in a crazy quilt that promises to be more durable and, oddly, more comfortable. Rawlings' writing is exquisite; she truly deserves the Michigan Literary Fiction Award she won for this shattering, humorous, hopeful and memorable novel.The Agnostics (Michigan Literary Fiction Awards) Overview

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Unbearable Lightness: A Story of Loss and Gain Review

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Unbearable Lightness: A Story of Loss and Gain ReviewAs the previous reviewer has pretty much summarised the entire book (!) I'll just say that this is an honest, moving and well written account of a dark time in Portia's life. It was hard to read how she brought herself close to death, keeping herself on a tiny allowance of calories and strenuous exercise (in high heels at times). I know Hollywood expects women to be thin, but I was saddened to read her accounts of costume fittings - where she was humiliated for being anything other than 'stick thin'.
I loved the story about meeting Ellen in 2001 at a concert, when Ellen invited her over to her house along with other guests. Portia thought she was just being polite, but it turned out that Ellen had only invited the other people over so she would have the excuse of a party to invite Portia. So Ellen was stuck with having to entertain all those people that night!
I think coming out as a lesbian in Hollywood is still a risky move (how many others are there? not many) and Portia is an inspiration to other women who are coming to terms with their sexuality and trying to live their life honestly. Well done Portia, from a fellow Aussie :)
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Military Trade Review

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Military Trade ReviewAfter producing three very insightful books on their quarry, Zeeland provides his readers with an equally intriguing, ocassionally disturbing, and often very funny look at the hunters - the "chasers' of military men. Zeeland examines what motivates these men (and, at last, one woman), but unlike his previous books, in which many of his interviews were fascinatingly intimate portraits of friends, lovers, and acquaintances, Zeeland for the most part steps back and lets these chasers tell their own tales without deeply challenging their motivations and assumptions about the military and military men.
For example, most of the chasers profess to being drawn to the military ideal of loyalty, fidelity, and patriotism, despite the fact that their actual experiences with military men as they tell them often prove otherwise, and few show any insight into the very real working class limitations that lead much of their quarry to join in the first place. This is particularly interesting when one considers the fact that for the most part these chasers are drawn to enlisted men, yet they frequently differ from them significantly in politics, education, and class background, and often show little genuine understanding of them. Then there are those chasers beset by a sort of sexual "Stockholm Syndrome," who find their own lifestyles and political beliefs changed by their exposures to the subjects of their desire. All of these are issues worthy of exploration, but for the most part Zeeland lets these accounts raise more questions than they answer. This reader would love to see more in-depth study by Zeeland of all these issues. Perhaps in a second study of such chasers?
As a woman who was herself a mild military chaser who ended up married to one of her USMC quarry, if there is a second study I would enjoy reading about more women like myself. Indeed, "Military Trade" would have benefited not only from interviews with more women military chasers but also with perhaps an examination of the very gender-bending in which we women indulge in much of our chasing.
At the heart of all of Steven Zeeland's books is a challenge to our assumptions about sexual identity, and this reader, who has done much of just that, would love to see an even more extensive exploration of how both men and women cross the boundaries, as it were, whether chasing military or not.
However, for all the book does offer us, and all the questions it raises, "Military Trade" is a valuable addition to Zeeland's growing canon of studies of the fluidity of sexuality and the cult of the military. Well done!Military Trade Overview

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Freaks and Revelations Review

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Freaks and Revelations ReviewOne crisp Thursday evening in Los Angeles in 1980, a young gay male, living on the streets as a prostitute, is beaten nearly to death by a gang of Neo-Nazi skinhead punks. At a decisive moment during the fray, the leader of the punks and the young victim lock eyes. Twenty-five years later, that moment uncoils across a table at a coffee shop when both men, now employees of the Museum of Tolerance, meet to discuss a class they are to teach and they recognize each other.
The true story of these events flickered briefly across the media during 2005. The story rose and then died like all media tales as a surprising outcome to what the world saw as yet another act of violence among the blind and the frightened.
Novelist and drama instructor Davida Wills Hurwin saw the incident as a moment in human experience that stands out clear and pure as a silver bell; one that needed to be rung again and more loudly. She met with Matthew Boger and Timothy Zaal and told their stories. The result is Freaks and Revelations.
Freaks and Revelations retells the story in fiction, starting 15 years before the 1980 event. Told separately from the point of view of the two young men, the tales flows from the first pages like two rivers rushing towards a confluence, each event in these young men's lives descending through rapids that carry them decisively into each other's paths. The tales descend not just as random flotsam on some bigger flow, but as young men who build lives and communities and world views that shape their course and their ideas and create their experiences.
The choice to tell their stories in fiction was a result in part of the creative process Hurwin went through to develop this book. But in greater part it was a result of two things. First, that it is difficult to convey the immensity of human experience through nonfiction narratives. The greatest nonfiction as we know it now is drawn together with fictional tissue - some measure of the decision-maker, the actor, the victim - that we might understand the impulse and flow of events, rather than just see the milestones.
Second, the truth is victim not just to memory but to the fears and emotional strata of the players, especially young ones, and even more so, those who have lived through trauma. Our world view, our ability to build and retain a context is not only evolving in youth, but creates a false and narrow narrative for our actions. Trauma adds a layer of misdirection and encapsulation that is impossible to breach without the tools of fiction.
The telling is as gritty as their days and nights, as dark and as light as their hopes and dreams. Although Scholastic is a young adult book publisher, this story is told without the circumspect and moral overtones of most YA fiction. Sex, drugs, and violence take their proper place in these young men's stories. Hurwin has reached inside these characters and their times to let us live two lives in full surround - in taste and smell and sound.
Although the opportunity for moral heavy-handedness lurks through the entire tale, Hurwin lets the characters and events speak for themselves. The result is one of the most compelling books that frames tolerance in many years. This book rises to the category of books like The Diary of Anne Frank and Bury My Heart at Wounded Knee, books that immerse us in lives that help us see our experience in a broader, more accepting context. Freaks and Revelations does the only justice a book can do to that Los Angeles night in 1980.
Matthew and Timothy continue to work side-by-side at the Museum of Tolerance in Los Angeles. They now call themselves friends. Their road since their encounter 25 years after Matthew's beating has been rocky. But their example is a shining one. It is a privilege to read their story in Freaks and Revelations.
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Sprout Review

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Sprout ReviewSo I feel a lot of pressure as I write this review. I won't even mention the ONE other review on Amazon. I'm not someone who routinely gives out 5 stars... in fact, if you click on "read other reviews" you'll see I've been a pretty tough critic lately, especially regarding the books I've read. I also get the feeling not many people will ever even hear of this book.
I just finished Sprout. Wow. I also just ordered two more books by this author. Anything I write feels like a cliche: I didn't want it to end, amazing character development,I grew to love the characters and the well-worn COULDN'T PUT IT DOWN. All those things are true.
So what's this book about? A teenage boy nicknamed Sprout, who happens to have green hair, and happens also to be gay. His mother dies (handled as a flashback in the book), leaving him with his alcoholic father (ok the one thing that was maybe a teeny cliche), moving from Long Island to Kansas. Very different from Long Island.
This book isn't about Sprout wrestling with being gay. It's also not about him struggling for acceptance. Or even coming out to his father (his father knows). It's about Sprout dealing with his mother's death, honing his writing skills (makes me wonder if this is semi-autobiographical), falling in lust, falling in love, worrying about a future after high school. This is next-gen gay, where the protagonists' sexuality is an interesting but not a defining detail.
The narrative switches from the third to the first person and back again. Lots of commentary from the narrator directly to us, the readers, fleshing out details, making wry observations on the situation that until that very second we've been reading about in third person. And did I mention the book is funny? Not laugh out loud funny, but lots of things that made me smile as I was reading, make me like the narrator more. Just to give you a flavor, if you've made it this far, here are some of the chapter titles "The margarita was the only virgin in the house," "Rural gay boy, party of one," "Like that girl in the pink coat in Schindler's List."
Language? Well, the F word does make an appearance or two. Sexual situations are handled with a "fade to black" with really no details or descriptions...Probably not something that a typical high school class would read, though it might be a good alternative to "Catcher in the Rye."
The story progresses well - definitely held my interest and took several twists and turns I didn't predict. Actually I couldn't predict anything - the book was one surprise after another. Fitting for a book that begins "I have a secret. And everyone knows it," which might be the all-time best start to a book ever. (Well, right after that whole In the Beginning thing..)
Sprout learns more about himself. And finishes with some more questions. The ending of the book may seem abrupt to some, but for me it was perfect. First love is often messy, filled with emotion, and the author captures the highs and lows with amazing skill.
This is my first gushing review of 2009 and I don't expect too many more. I really enjoyed this book. You might, too. Did I tell you I didn't want it to end?
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