Showing posts with label autobiography. Show all posts
Showing posts with label autobiography. Show all posts

Open: An Autobiography Review

Open: An Autobiography
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Open: An Autobiography ReviewSo you're thinking this might be one of those recently retired famous people books aren't you? One where a celebrity, or a Politician, or a sports star cranks out hundreds of pages of self-serving, history-correcting drivel in order to cash the big advance check. A book you can't even bring yourself to finish; better than a tranquilizer at bedtime.
Well, this is certainly not that book. "Open" is a journey that I predict will stay with you for a very long time. It's a completely unexpected trip to places you've never been. I'm not one of those quasi-professional reviewers you see on Amazon. But this book practically made me write about it.
Interestingly, Open starts not at the beginning and not quite at the end. Second round, US Open, 2006.
Not the final match of Andre's career--but the one right before that.
Against a competitor you'd never heard of before or since.
The battle was against the guy across the net, and also Andre's hatred of tennis, his failing body, the demons that he harnessed to get through the unending heroic contest that seemed destined to continue until both just fell into a heap on the court. And it is so well told.
After 20 pages, I knew that this was unlike any other biography I had ever read. Couldn't put it down. Couldn't stop thinking about it. Agassi dug deeper inside than most of us ever will have to, to get to core of what made him so powerful as a player and so conflicted as a person. It is all conspicuously real: The small moments, the outlandish triumphs and the friendships that sustained him and/or corrupted him. The gauntlet he had to run through to arrive at the balance and joy he has today. It's transformative.
The headlines about this book have mostly related to Andre's drug use when he was at his lowest. But honestly, although it marked the place from which he recovered and flourished, it's only an incidental part of this story. The story is actually about perseverance, intelligence and raw talent all baked together into a very, very large American life.
If Open doesn't win a Pulitzer Prize, something is terribly wrong. Can I nominate it?
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Unbearable Lightness: A Story of Loss and Gain Review

Unbearable Lightness: A Story of Loss and Gain
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Unbearable Lightness: A Story of Loss and Gain ReviewAs the previous reviewer has pretty much summarised the entire book (!) I'll just say that this is an honest, moving and well written account of a dark time in Portia's life. It was hard to read how she brought herself close to death, keeping herself on a tiny allowance of calories and strenuous exercise (in high heels at times). I know Hollywood expects women to be thin, but I was saddened to read her accounts of costume fittings - where she was humiliated for being anything other than 'stick thin'.
I loved the story about meeting Ellen in 2001 at a concert, when Ellen invited her over to her house along with other guests. Portia thought she was just being polite, but it turned out that Ellen had only invited the other people over so she would have the excuse of a party to invite Portia. So Ellen was stuck with having to entertain all those people that night!
I think coming out as a lesbian in Hollywood is still a risky move (how many others are there? not many) and Portia is an inspiration to other women who are coming to terms with their sexuality and trying to live their life honestly. Well done Portia, from a fellow Aussie :)
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Romancing with Life Review

Romancing with Life
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Romancing with Life ReviewDev Anand, Dilip Kumar, and Raj Kapoor, were the first three superstars of Hindi cinema, before there were superstars. Each was born within a couple of years of each other (Dev Anand in 1923, Raj Kapoor in 1924, and Dilip Kumar in 1922), each started his career around the same time (Dev Anand in 1946, Raj Kapoor in 1943, Dilip Kumar in 1946), and while Raj Kapoor died in 1988, and Dilip Kumar has been in retirement for more than a decade, Dev Anand continues to go strong, acting in and directing a movie every few years for over six decades now, the latest one released in 2005. Dev Anand had the screen persona of a dashing, evergreen, ever youthful happy-go-lucky city chap, with a legion of a mostly female fan following. Even in real life he has carried himself with the same elan, and at 85 years is an inspiration for many people.
The book is a celebration of Dev Anand's (Dharam Dev Anand is his full name, as he informs us) life and times, and his romance with life. It proceeds in pretty much a chronological fashion, starting with his childhood and ending with the year 2007, when the last chapter was written. It is written in breezy and mostly frank and honest style. Whether it is his sexual education, first on the upper berth of a train, and later while shooting for his first movie, whether his struggles to find a footing in the Hindi movie industry, or his encounters with the censor authorities, or his crush for Zeenat Aman, or his first love with Suraiya, and the heartbreaking end to the affair, or his visit to communist Soviet Union, he comes across as refreshingly honest.
The book is divided into numbered chapters, each small. Sometimes only a couple of pages, but rarely more than 4-5 pages. Each chapter covers a specific episode. So you get one chapter each for Guru Dutt, Kisore Kumar, his brother Vijay Anand, Indira Gandhi, Mahatma Gandhi, Pandit Nehru, Rajiv Gandhi... with a brief reminiscence by Dev.
The language is quite ok in the book, the prose is fairly engaging, perhaps a result of Dev Anand's Lahore Government College education (one of the most prestigious educational institutions in the country in then undivided India, pre-Aug 14/15 1947).
Surprisingly, and refreshingly so, the book has a fairly comprehensive 12 page index, something you would not expect from a movie star's autobio.
However...
While the book 400+ page book makes for quick and easy reading, it has shortcomings too.
You will learn nothing of the craft of film making from reading this book. You will learn nothing about the great movies that Dev Anand starred in. Whether Dev Anand's collaboration with the great director and actor and close friend Guru Dutt (Jaal and Baazi), nor the fantastic musical collaboration with SD Burman A Sa Re Ga Ma Tribute to Commemorate the Centenary Celebrationa, nor the immense contributions of Chetan Anand and Vijay Anand (both brothers of Dev Anand) in such movies as 'Tere Ghar Ke Samne', 'The Guide', 'Johny Mera Naam', 'Jewel Thief', 'Kala Bazar', 'Nau do gyarah'. You have to go through Dev Anand's filmography at the end of the book to realize that Raj Khosla had directed Dev Anand in some past greats like 'Bombai Ka Babu', 'Kala Pani', 'CID', and 'Solva Saal'. What made the great movies that Dev Anand starred in great? Why is it that Dev Anand did not have a single truly commercial or artistically acclaimed hit after he started directing his movies? Consider these truly unremarkable ventures like 'Ishq Ishq Ishq', 'Sau Crore ', 'Awwal Number', 'Gangster', 'Mr Prime Minister', 'Censor', 'Lootmaar' that Dev Anand directed and starred in? What were the lessons that Dev Anand learn from these disasters? Introspection? No. He acknowledges that 'Ishq Ishq Ishq' was one of the biggest disasters of his career. Why? You don't know.
Perhaps the style of his book can be summed up with a line from his movie, Hum Dono: "barbadiyon ka shog manana fizool tha, barbadiyon ka jashn manata chala gaya" (loosely and inarticulately translated as 'lamenting disasters was a waste, I celebrated disasters').Romancing with Life Overview

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Everything Will Be All Right Review

Everything Will Be All Right
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Everything Will Be All Right ReviewThis is an honest, inspirational story of a man overcoming one of the toughest challenges that modern Americans can face: being born into extreme poverty. Douglas Wallace talks at length about what it was like growing up in what he terms "generational poverty," and how he managed to find his way out through hard work, determination, and, ultimately, faith. It's a story that can put your current problems into perspective, but more than that, it's a testament to the power of character and belief. Like "Slumdog Millionaire," it's an honest, sometimes brutal look at adversity, but its crowning achievement is the message of hope that it offers. I couldn't put it down.Everything Will Be All Right Overview

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Still Growing: An Autobiography Review

Still Growing: An Autobiography
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Still Growing: An Autobiography ReviewI missed out on the Growing Pains phenomenon. Because my family had no television while I was growing up, the Seaver family largely passed me by. I caught occasional glimpses of the program but little more than that. It was only recently that I even learned that the show had propelled Leonardo DiCaprio's illustrious career. The truth is I know more about Cameron's post-sitcom career than the years he spent as Mike Seaver, one of television's best known and most loved characters. And it was those years that was my primary interest as I read Still Growing, Cameron's newly published autobiography.
Of course I couldn't help but enjoy reading about his early life, and the Growing Pains years in particular. While I may not have known much about Cameron in my younger years, I do know that I would have given just about all I had to trade places with him. What boy wouldn't want to be the teenage heartthrob whose face graced the cover of dozens of teen magazines? What boy wouldn't dream of the fame, the fortune and the attention that were Cameron's? He spent his life in a strange bubble where even adults hustled to grant his every desire and where his whim was the command for countless grown-ups. He received 10,000 fan letters every week and was the center of attention wherever he went.
Here is how he describes his life at the pinnacle of his fame:
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I received 10,000 letters per week, mostly from girls who wanted to meet me, touch me, marry me. I had a fan club that sent out a variety of keepsakes--photos, Tshirts, buttons, even a pillowcase with my picture just the right size for girls to kiss my fabric-y likeness as they drifted off to sleep. Weird.
Wherever I went people catered to me. Limousines carted me off to the next gig. Waiters comped my meals. Flight attendants whispered, "Mr. Cameron, why don't you come with me?" and escorted me to first class. Once off the plane, people laid down a red carpet and greeted me on the tarmac with military-like fanfare.
When I arrived at a party, everyone sat up and took notice. The room buzzed with not-so-quiet whispers: "Isn't that Kirk Cameron?" The adoration was obvious in the body language, facial expressions and eagerness of those around me. All of it baffled me beyond belief. I was in the midst of a phenomenon I felt I had no hand in creating.
I had everything the rest of the world craved--money, fame, fortune, any girl I wanted. I admit, I liked that part. What 16-year-old guy didn't want girls to melt when he walked in the room? And I certainly wasn't complaining when Domino's Pizza offered me a million bucks to be their ad boy.
If I didn't have something, it was only because I didn't want it. I was a devout atheist, livin' large, hanging out with the beautiful people.
Years later when people asked about that time in my life, I defined it like this: Imagine a world where whatever you want is given to you as quickly as possible. When you walk into a room, all the adults smile at you, talk nicely and say, "What do you want? Okay, I'll give that to you."
Everything in your life is carefully placed with the intent to make you happy. If you aren't happy, no expense is too great in order to fix the situation. As far as you can tell, you are the center of the universe. Everything revolves around you, your schedule, your dreams and wishes. You are more important to adults than other kids are. "Why is that?" your little mind asks. And the only answer you can come up with is that you are very, very unique.
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But the reality was far different from the boyhood fantasy. He was noticed everywhere he went, unable to enjoy peace outside of his home; he had to grow accustomed to strangers blurting out that his pimply teenage skin was far worse in real life than on television; he was stalked by a demented pedophile; though girls swooned in his presence, he was lonely and sometimes despaired. Life in the public eye was not the dream it may have seemed.
You know, of course, that Cameron became a Christian. At the age of seventeen he came to know Christ through the family of his first girlfriend (and the only girlfriend he had before meeting his wife, Chelsea, who was a guest actress on the show). Here is how he describes that experience:
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A month after my first visit to her church, I dropped my friend off at her acting class in the San Fernando Valley. As I pulled away, something flashed through my mind: I'm part of the ultimate statistic: 10 out of 10 people die. I'm going to die one day. If it were to happen in the next 10 minutes--if I were to get in a car accident and die--what would happen to me? The thought overwhelmed me. I felt smaller than a speck of sand.
I pulled over to the curb and turned off the engine. If there is a God and a heaven, there's no reason He should let me in, I told myself. I had gotten past the intellectual barrier to God, but I knew there was a bigger stumbling block that stood between me and my Maker. It was not intellectual, but moral.
I knew that because of my prideful attitude and the way I had intentionally ignored--even denied God--especially in light of the good things He had given me, I wouldn't go to heaven. Instead of loving God, I had mocked the Giver of all that was precious to me. Deep in my gut, I knew my arrogance and selfishness were an offense to God. Without ever having read the Bible, I intuitively knew that I was a walking violation of the first and greatest commandment: I had failed to give the Creator due honor and respect.
I was sure that if I died on Van Nuys Boulevard that day, God would be perfectly justified to exclude me from heaven and instead give me whatever I deserved.
I wanted to pray, but didn't know how. Closing my eyes--hoping no one was watching--I muttered, "God, if You're there, will You please show me? If You're real, I need to know. And would You please forgive me for the things I've done that are wrong? I don't want to join a religious cult or believe in a fairy tale, but if You're there ... I want You to change me into the person You want me to be."
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Cameron now lives in life after the spotlight. He is known as one of those actors who found God, condemned Hollywood, and fled for the hills. The reality, he explains is different. He speaks honestly about the mistakes he made in the weeks and years immediately following his conversion to Christianity--decisions that ultimately threw up a wall of separation between himself and the rest of the cast members and between himself and the producers of Growing Pains. Since he left the show he has returned for two reunion shows and has asked forgiveness from those he wronged.
Life after Growing Pains has been good. Cameron is now the father of six children (four of whom he and his wife adopted) and he hosts a television show on TBN. He has acted in a handful of movies and will star in a forthcoming film by the producers of Facing the Giants. He and Chelsea are actively involved in Camp Firefly, a camp for the families of disabled children. He works closely with Ray Comfort and appears often on the Way of the Master radio program. Though he has a lower profile, he continues to have a full schedule. He has experienced many blessings.
I can't say it's likely that Still Growing is destined to become a classic spiritual memoir, yet it should still find an audience beyond people who still wear "I Heart Mike Seaver" t-shirts and treasure their signed glossies. Though I knew little about Cameron before cracking the cover of this biography, I feel as if I know him much better now. This is a personal, intimate look at his life, though not one that is exhibitionist. He maintains that balance of sharing the joys and triumphs of life without delving into gossip and ugly detail. I still don't heart Mike Seaver, but I've certainly come to respect Kirk Cameron. Here's hoping this is only the first chapter of a life lived for the glory of God.Still Growing: An Autobiography Overview

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South of the Big Four Review

South of the Big Four
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South of the Big Four ReviewThis gentle tour de force is a quintessentially American story yet unlike anything I've read. The characters are original and unforgettable. Five or six times in the course of reading the work, you think you know where Kurtz is going -- but you don't. The language is beautiful throughout but its not an end in itself -- there's a very great, very real story here and its heartbreaking. What whisky is in Hemmingway, work is here. Don't laugh -- unless you can write better than Kurtz.South of the Big Four Overview

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Radio Shangri-La: What I Learned in Bhutan, the Happiest Kingdom on Earth Review

Radio Shangri-La: What I Learned in Bhutan, the Happiest Kingdom on Earth
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Radio Shangri-La: What I Learned in Bhutan, the Happiest Kingdom on Earth ReviewI tend to enjoy travelogues that focus on weird things, like French Dirt: The Story of a Garden in the South of France or A Walk in the Woods: Rediscovering America on the Appalachian Trail, and Radio Shangri-La was no exception. This was a book that was as entertaining as it was educational and inspirational and it convinced me to take a trip to Bhutan myself.
The entire book is about the life and times of Lisa Napoli when she decided to leave her public radio job in Los Angeles and go work for a radio station in the tiny Asian kingdom of Bhutan. There she regales us with stories about the people there, gives us comparisons and contrasts with Bhutan and the Western World, shows us how the country is rapidly changing and becoming Westernized (for good and for bad) and most of all, we see her fall in love with this obscure, almost unknown country. You also get to see the madness that ensues when one of her Bhutanese friends comes to visit her and the drama that unfolds there.
Overall, the entire book is one that is hard to put down. My only complaints is that Lisa Napoli starts to be really candid with aspects of her life such as being raped or hooking up with a guy, but then completely shuts the reader out regarding why a relationship ended. Twice she hooks up with someone that came into her life because of Bhutan and she spends a great deal of time talking about her attraction to them and the slow burn to actually becoming involved with them. Then right after she hits that climax...she says "and it just didn't work out." Then it's never mentioned again. This is poor writing on Napoli's part, as the author either needs to stay to keep the same level of candidness consistent throughout the entire story being told.
One other note - at the end of the book, Napoli gives a list of books and websites to learn more about Bhutan. I went to several of them but was disappointed to see that the website for what this book revolves around (Kuzoo FM) hasn't been updated in over two years. I'm surprised neither Napoli nor the editor/publisher of the book caught that and that nothing was made of this.
Overall, in spite of a few minor writing/researching errors, I really enjoyed this book and I know I'll be picking it up again as the years go by. As I've said, it inspired me to take a trip to Bhutan myself before its culture and charm are completely destroyed by Westernization/modernization, and that's how I know a book has really caught me.Radio Shangri-La: What I Learned in Bhutan, the Happiest Kingdom on Earth Overview

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Justin Bieber: First Step 2 Forever (100% Official) Review

Justin Bieber: First Step 2 Forever (100% Official)
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Justin Bieber: First Step 2 Forever (100% Official) ReviewThe first thing you feel is its weight in your hands, which screams, "this is an important book." "First Step 2 Forever" is a hardcover, multi-colored monstrosity that clocks in at 240 pages... half of which feature full-page pictures of the 16-year-old Bieber. This should please the majority of his pint-sized fans, who are looking for nothing more than a visual companion to Bieber's equally sugar-coated albums.
There's no way to accurately convey the inherent absurdity in reading a memoir written by someone who is only 16 years old. I'm reminded of this Friedrich Nietzsche quote: "Gaze into the abyss, the abyss gazes also into you." In many ways, "First Step 2 Forever" compares to Anne Frank's diary, but the comparison ends at their young ages. At least in my opinion.
Bieber spends an inordinate amount of time talking about girls. As he writes in big letters that fill an entire page: "I really like... girls... girls... girls... girls... girls... girls... girls..." But don't peg him as a one-trick pony: "There are lots of things I really like besides girls. Like pizza.... And CHUCK NORRIS." And boy does he ever love Chuck Norris, whose name appears in all caps every time he's mentioned.
He also likes "pranking," which, if the pictures are to be believed, consists of shooting his friends and bandmates with a giant super-soaker water gun. No, I don't get it either. One of those, "You had to be there" things. Or maybe you can be there, when Bieber takes over hosting duties on MTV's Punk'd for Ashton Kutcher.
Bieber even takes a few pages to debunk some rumors that have apparently been swirling online about him:
* Im not dead. I had to check on this one... but it turns out Im alive
* Im not Peter Pan... Im growing up and my voice will change...
* I am not 10 feet tall and I dont shoot fire balls from my a**... that was BraveHeart
* No CHUCK NORRIS is not my real father... although he did birth to Hercules
Those aren't my grammatical or spelling errors, by the way. The book simply reproduces many of Bieber's Tweets without fixing them for grammar or spelling. Will anyone really care? Doubtful.
In a few places, Bieber slows down the breakneck pace of his young life to wax poetic on the state of the North American family circa 2010. "If you feel like a freak because you don't have a normal family, I've got news for you: pretty much nobody does," he writes in one moving chapter about his own family.
In one sentence, he says pretty much what took Jonathan Franzen 576 pages to say in "The Corrections" -- more or less. Could "First Step 2 Forever" be the next Oprah Book Club pick?
If you're looking for a behind-the-scenes rock-n-roll biography, pick up Nikki Sixx's "The Heroin Diaries." If you want the world's most narcissistic high school yearbook, however, "First Step 2 Forever" is your new bicycle.Justin Bieber: First Step 2 Forever (100% Official) Overview

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Blood, Bones & Butter: The Inadvertent Education of a Reluctant Chef Review

Blood, Bones and Butter: The Inadvertent Education of a Reluctant Chef
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Blood, Bones & Butter: The Inadvertent Education of a Reluctant Chef ReviewA memoir written by a chef is appealing because it promises to take us to a place few of us ever see, unless it's on the Food Network---that is, a restaurant kitchen. It promises to reveal all of the gritty, unlovely steps leading up to the moment when the beautiful plate emerges from the pass and into the hands of the waitstaff. In addition, after Anthony Bourdain led the way, such a memoir must also offer appetite-killers: dirty walk-ins, unsavory butchering scenes. And, like a religious testament, it also has those conversion moments, the moment when the chef discovers that she or he is destined to become an artist with food. Gabrielle Hamilton's memoir has all of these elements.
When Hamilton writes about food, she's entertaining, irreverent, and even spiritual. Her engaging account of her father's spring lamb roast (an edited version of this piece recently appeared in The New Yorker) establishes the origins of her love of food. Her account of her years working for catering companies will make you think hard before you pick up that next wedding hors d'oeuvre from the waiter's silver plate. And a chapter about cooking at a summer camp in the Berkshires is funny and deft in its handling of detail. I loved her wry depiction of the time she spent in a master's writing program, from the satirical descriptions of her fellow writers to her homage to Misty, a fellow cook and, for Hamilton, a kind of culinary muse.
This book aspires to be more than just a chef memoir, however, since the subtitle refers to "The Inadvertent Education of a Reluctant Chef." In particular, this is a book about family: about Hamilton's own family, painfully riven by divorce when she was still a child, and about her marriage and the birth of her two sons. With the exception of the opening chapters, these parts of the book are often difficult to read, mostly because they have almost none of the good qualities (sharp detail, humor, self-awareness) of the "chef" sections. Her relationship with her mother, the "spider" of a chapter about a long, miserable visit to Vermont, is so angry and painful that you want to avert your eyes. After such a rant, a reader comes not a whit closer to understanding this mother or why she behaves as she does. As for Hamilton's marriage to Michele, the man whose ancestral home in Italy is the setting for the last ("Butter') section of the book, this too is the subject of pages and pages of rage and disappointment. Yes, this unhappiness is somewhat mitigated by Hamilton's initial happiness in cooking and eating in Italy, as well as her pleasure in being part of Michele's extended family. In the end, however, the many pages devoted to descriptions of glorious Italian foodstuffs (think Frances Mayes, with cursing) turn into too much eggplant, the Italian family disappoints, and the marriage remains a source of sorrow.
There are many memoirs about unhappy families. How the writer shapes that material is key. The difference between "Blood, Bones, and Butter" and other memoirs about bad parents, like Tobias Woolf's "This Boy's Life" or Mary Karr's "The Liar's Club," is one of perspective. Even when Woolf is telling us about how his mother failed to protect him from his abusive stepfather or Karr is describing yet another chilling incident with her parents, we know the grown-up writers understand why their parents acted the way they did. This sort of perspective is not evident in Hamilton's memoir, perhaps because she has not yet gained it. In her book, the education of Gabrielle Hamilton, the chef, is presented as the most interesting of dishes, full of diverse and sometimes surprising ingredients---and so it is. (I was lucky to have the chance to eat, just once, in her restaurant, Prune, and she is truly a wonder in the kitchen.) However, her depiction here of her education as daughter, wife, and mother awaits a more finished account.
M. FeldmanBlood, Bones & Butter: The Inadvertent Education of a Reluctant Chef Overview

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