Showing posts with label violence. Show all posts
Showing posts with label violence. Show all posts

Columbine Review

Columbine
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Columbine ReviewTen years have passed since the tragic event that has become synonymous with school shootings. Columbine was once a word that simply denoted a high school, a football team or a state flower. But now the word is tainted. Despite the fact that we have moved on to newer tragedies with higher body-counts, the stain has not been scrubbed off of the word `Columbine'. But perhaps we need to do something other than wish it away. A better solution might be a deeper understanding of Columbine and similar events. The What, How and Why. Most of our answers to these simple questions have been dead-wrong and it is time to replace myth with truth.
But this is easier said than done. The Columbine shootings remain one of the most-thoroughly covered crimes in American history. However, despite the voluminous output of media coverage, what really happened that day, and the motivation behind the tragedy, is understood by very few people. The result of our curiosity led to more falsehoods than fact, making a clear picture of the events on and leading up to April 20th, 1999 difficult to discern. In many ways the vast outpouring of information makes this tragedy even harder to grasp; the chaff vastly outweighs the wheat.
Which makes Dave Cullen's new book, Columbine, an accomplishment that catapults him to the top of the genre. Not since Capote's In Cold Blood do we find such a thoughtful, illuminating, riveting, and disturbing portrait of the criminal mind. Columbine doesn't just explode the myths of what happened that day and why. Instead the book carefully dissects our biases, revealing a populace eager to blame this tragedy on poor parenting, Satan, rock music, or goth kids because it is simpler and more convenient than hearing the truth.
And the truth is that Eric Harris was a born psychopath and Dylan Klebold was clinically depressed, eager to please, and clawing for an escape hatch. Together they formed a rare and volatile combination known as a criminal dyad, a coupling of an egomaniacal control freak and a doting, depressed side-kick. Like Bonnie and Clyde and the D.C. snipers, the duo had a push-me pull-me effect that spun both kids out of control and down a dangerous path that now seems well-worn and obvious as we trace it back.
Cullen's coverage of the tragedy is remarkably broad and deep for a book that doesn't even run 400 pages. The entire scope of the Columbine shootings are covered with almost no wasted space. The book is agonizingly well-researched and brilliantly end-noted. Cullen was one of the Colorado journalists covering the event as it was happening, and has been following the aftermath for the past ten years. He has become one of the most informed minds to wrestle with the shooting, and one of the few to draw the right conclusions.
The layout and pacing in Columbine is also ingenious. Instead of pretending that this was a tidy moment in history that can be covered from beginning to end, Cullen pays homage to the frustrating way that details coalesced into a final picture. Jumping back and forth from Eric and Dylan's lives before the event to the tragic consequences that reverberated after, Cullen gradually paints a full portrait of the two men in much the way that they revealed themselves to investigators. There is no pretension here that this is a subject with an easy beginning, middle, and end. Any other method of relating this story would not do the popular confusion justice, nor would it result in such a vivid understanding of what these two boys were like, and what damage they wreaked on their community.
Another impressive touch is the complete lack of images presented in the book. The center clump of photographs, a mainstay of good non-fiction, is conspicuously absent. You will not find a single picture of the killers nor their victims. It took some time for me to appreciate this classy move by the author and publishers. There is no sensationalism here. This is an outstanding work of journalism that is not only the authoritative account of what happened at Columbine high school, it is also a glimpse of criminal psychosis that I believe will be held up as a classic in years to come. This isn't just a good book, it is an important book. It is not just about the past, and not just about this one event, it is about a sad fact of the human condition, and a call for forward-looking vigilance, not backwards-glaring vengeance.
What most impressed me about Cullen's conclusions was his shucking off of the dangerous blank slate theory that causes so much societal grief. To this day most people blame poor parenting on the tragedy of Columbine. The sadness and horror that I feel when thinking about the treatment of Eric and Dylan's parents disgusts me. This injustice is fueled by the poor grasp that the vast majority of people have about human nature. It is a failing that causes harm in thousands of daily ways, and Cullen does his part in dispelling some of these myths. Some people are born with an inability to empathize with the feelings of others. And of these, some have an uncanny ability to blend in, conning the rest of us into thinking that they are normal. They are the stereotypical serial killers, described by friends and neighbors as the "nicest boy". And our failure to grasp the innate nature of these members of society makes us even more likely to be duped by them.
One of the other fascinating threads in Columbine is the unreliability of eyewitness accounts and the way that early mistakes were not corrected with the passage of time, but rather hardened, becoming cemented in Columbine lore. The Trench Coat Mafia and a massive conspiracy involving many other participants led many people astray, including investigators. The idea that these were unpopular geeks who were picked on by bullies led to a national campaign against something that played no role in the tragedy. Eric and Dylan more often played the role of bully than they did bullied. And implications that music, movies, goth lifestyle, Hitler, or videogames inspired their actions are as false as Michael Moore's assertions that they bowled on the day of the shooting.
Columbine replaces these falsehoods with an account of two kids that simply hated the world and its occupants. Everyone was beneath them. These were not kids cast out by society; they were misfits by choice. They fled the robots/zombies/sheep with eagerness and disdain. They celebrated the fact that they did not belong. Nobody pushed them away or ridiculed them, in fact they were just as popular in their own clique as any other kid, and just as invisible to most kids as we all were to people outside of our social circle. The kids who were not respected were Eric and Dylan's peers. The duo were able to look down on them from such a height of hubris as to be able to dehumanize them. Making them something outside of their scope of empathy. Easy enough to dispatch.
In this way, Marilyn Manson got it just as wrong as anyone else. When asked what he would have said to the kids in Moore's film Bowling for Columbine, Manson replied, "I wouldn't say a single word to them. I would listen to what they have to say, and that's what no one did." This notion that the boys were raging against a world that would not take them seriously is also debunked. The sad fact is that psychopaths are born with measurable differences in how their brains work. We can point to these peculiarities on a brain scan. And the differences are noted extremely early in a child's development. The idea that more compassion would prevent these tragedies is the claim that gasoline will extinguish a fire. These kids thrived on winning people over, which they did with ease.
Possibly the most shocking myth stripped down in the book is that this was a school shooting by design. The event became the poster for gun restrictions, which may be a noble cause, but it misses the intentions that Eric and Dylan had that day. By all accounts, the attack was a dismal failure. The massive bombs that they rigged up did not go off as planned. They had a low body count estimate in the hundreds, but hoped for thousands. They wanted to start a worldwide revolution. And they hoped they could do this all without devastating their parents. In every possible way, these boys failed. They failed their society, their peers, their parents, and thank goodness, they failed themselves.
These failures continue to cast ripples today. Cullen devotes a good chuck of his book to the horrible aftermath of these events. An investigation that became disgustingly political included cover-ups and foot-dragging. There were copycats, pranks and bomb-threats. Survivors went through physical and emotional re-hab. Some people tried to profit from the shooting. The school had to be rebuilt, along with the student body and the surrounding community. Some relationships were bonded for eternity, and some shattered. Depression and post-traumatic-stress were prevalent and devastating. Lawsuits were filed. The entire town seemed to be cursed, with normal bad luck ascribed to the ghost of Columbine. Cullen captures all of this with stunning detail and respectfulness. There is no stone that he does not peek under, describe, and then return with loving care. That he pulled this balancing act off for the entire book, detailing an event with so many scars and controversy, is absolutely stunning.
The end result is a book that should be required reading for every teacher, guidance counselor, clinical psychologist and parent. Columbine unmasks universal and innate tendencies that a small portion of our population harbors. And what makes this minority dangerous is that they have no empathy for the rest of us, and a genius for hiding this flaw...Read more›Columbine Overview

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Hate List Review

Hate List
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Hate List ReviewGold Star Award Winner!
Valerie is alone. Her family tiptoes around her, her friends act like she doesn't exist, and most of the people in the community think she should be dead.
Valerie's boyfriend, the person she trusted more than anyone else, shattered her life when he brought a gun to school and wounded several students and killed many others, including himself. Most people believe Valerie was involved, but she had no idea what Nick was planning.
After spending weeks in the hospital recovering from a near-fatal gunshot wound to the leg, Valerie is moved to the psychiatric ward for observation. Afterwards, during her many therapy sessions, she begins to think back on her relationship with Nick and all the events that led up to the terrible act that changed an entire community.
HATE LIST is an extremely powerful story. I was in tears for the last eighty pages and felt emotionally drained by the time I reached the last page. Jennifer Brown has given us a wonderful example of the importance of keeping a watchful eye out for bullying in our schools.
Valerie is a strong character and it was great to witness her healing process. Once I started HATE LIST I couldn't stop. I read every chance I could. Even though the subject matter is very serious, this book was a pleasure to read.
Thank you, Ms. Brown.
Reviewed by: Karin LibrarianHate List Overview

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My Father's Son Review

My Father's Son
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My Father's Son ReviewThis was a very good book. Kevin is your average teenager, loves to play basket ball, has a crush on his Spanish class partner, and has a best friend. His normal life everyday life of living either at his Mom's house or his Dad's is about to turn upside down.
Kevin's mother struggles to make ends meet, having dropped out of school young to get married and have Kevin she's had a tough time since the divorce. Kevin's father, Greg is much better off. He's a computer programmer and lives a very comfortable life.
After a normal teenage day, Kevin sits down to watch some TV and sees the Newsflash, the DB25 killer has been caught and the photo on the screen is his father! Of course Kevin knows he's innocent because he's a great Dad and could never cut up and torture these women like the TV says.....or is he??? Kevin's life turns inside out, his mother will not talk to him about anything of her early days with his father, and he doesn't even know that he really does have Grandparents. His father refuses to see him in jail and his lawyer is barely polite to Kevin. Soon the whole school is looking at Kevin as if he's the killer and eventually after loss of his temper Kevin's best friend will suffer his wrath.
I read this book in one sitting; it grabs the reader and holds onto you. The ending was not expected and I could not wait to get there. I just couldn't put the book down until I knew how it turned out. I felt for Kevin during his struggles. His mother, I felt, should have been more open with him; I understand his father not wanting to see him, and I also felt Kevin's hurt with that. I felt sorry for Jason, his best friend, he was just trying to get on with life. But the one character that most moved me was Linda, Kevin's mother's friend. I didn't like her at all. I felt she was completely out of line with Kevin from the minute she set eyes on him. Just because the kid looked a lot like his father didn't make him his father and her attitude was ridiculous.
I recommend this book to all ages, it was great, the mystery and the life of Kevin were gripping. The characterization was very good as well. It really grabs the reader and pulls them in.
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Choker Review

Choker
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Choker ReviewMaybe I've watched too many horror movies, but I predicted the ending to Choker within the first couple of pages. It particularly reminded me of one of my favorite Japanese horror movies, A Tale of Two Sisters. Just replace a sister with a best friend, add in a love interest, and some school, and bam! You've got Choker. Just not as creepy or gruesome. If only the movie cover looked like the book. I'm such a [...]for a pretty cover and some chapter art.
Did that mean I enjoyed the book any less? Not really, surprisingly. Elizabeth Woods does a wonderful job capturing the feel of being the high school loner, and the tension is almost palpable at times. I had a hard time putting this down once I finally started reading it. The characters all fulfill the roles they need to perfectly. Ethan, the love interest, draws your sympathy for just being such a good guy. Alexis is the total high school prom queen [...]everyone runs into. Zoe is, of course, creepy. And Cara. Well, Cara is a little difficult to understand on one read through.
One small thing that annoyed me in Choker were specific references, such as "iTunes" and "Kristen Stewart" and "Oprah". Unless I'm reading historical fiction and it's all about specific details, I really tend to feel like it dates a book like this, and adds in some unnecessary things. It's like me saying I'm sitting here writing this in my Hello Kitty nerd pj's, listening to the Harry Potter and the Deathly Hallows soundtrack, and watching the newest episode of What Not to Wear. When, instead, I could just say I'm sitting here in my pj's, listening to some music with the tv on in the background. Maybe it doesn't bother other people, but I personally don't like reading about brand names and current celebrities in my books.
Even from the prologue, I knew something was up with Zoe. It really set the whole tone for the book. She's extremely manipulative and possessive, and seems to crave being a little too close for Cara's comfort. Her moods are all over the place, and all Cara seems to want to do is please her and keep her happy. While Cara's instant submissiveness was annoying, I did find myself cheering her on, and trying to push her, when she finally had the guts to confront Zoe about anything. Zoe just gave me the shivers, and her physical description got grosser and grosser as it goes on. You have to stay holed up in a room all day and you don't take a shower for days? I don't get it. But, I understood it as basically watching Zoe decay in front of our eyes, while remaining alive, so maybe I'll forgive the lack of hygiene.
I also have to say the scenes of animal cruelty really got to me. It's probably one of the reasons I just couldn't find it in me to rate this any higher. The nightmare about the dog literally made me feel sick to my stomach, not to mention what happens to the cat at the end. Again, it's probably just me, but I had a hard time stomaching it.
I did feel, a lot of the time, that I was almost reading a book adaptation of a movie. This was an unusually short book for me, so that could be part of the reason. The end just kind of came out of left field, even though I was pretty sure I knew what was going to happen. I rarely reread a book I would only rate as average, but I think I may have to. I want to see if there were any hints dropped about the end. I love scattered, subtle hints that don't come right out and tell you what's happening, but definitely make you nod and go `Oh, yeah' after it's all over. I'm worried that maybe something so quintessential to a good, thorough, fulfilling "horror" was left out, and I'm feeling the need to double check.
On an uber-spoilery point, what is up with her parents?! You have a psychotic daughter, and yet you don't check to make sure she's taking her medication, you're hardly around, and you let her stop seeing a psychiatrist? What kind of parenting is that? Seriously, her parents just pissed me off.
Predictable, if you've ever watched a horror movie. However, Elizabeth Wood's writing makes this a quick, tense read. It'll definitely make you want to reread it as soon as it's over. It has some minor flaws, but they can all probably be forgiven by most readers. It's hard to put down, and will make you want to stay up all night to finish it.
(originally posted @ The Tealeaf Review)Choker Overview

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A Cop's Tale--NYPD: The Violent Years: A Detectives Firsthand Account of Murder and Mayhem (Barricade Crime) Review

A Cop's Tale--NYPD: The Violent Years: A Detectives Firsthand Account of Murder and Mayhem (Barricade Crime)
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A Cop's Tale--NYPD: The Violent Years: A Detectives Firsthand Account of Murder and Mayhem (Barricade Crime) ReviewThis book was entirely engrossing! I admit that I read quite often but it's not very common for me to read a book in two sittings - and with this book, it was almost impossible NOT to read it this fast.
As the synopsis tells you above, this book is about a brilliant, intelligent, and funny cop who dealt with some of New York's most viscous criminals during its most brutal time. What you get to explore in this book are the major busts, stories, and infamous experiences that the author had.
This is my first 'cop' book that I have ever read. If other cop books are out there that are half as good, this could easily become my new favorite genre.A Cop's Tale--NYPD: The Violent Years: A Detectives Firsthand Account of Murder and Mayhem (Barricade Crime) Overview

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Freaks and Revelations Review

Freaks and Revelations
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Freaks and Revelations ReviewOne crisp Thursday evening in Los Angeles in 1980, a young gay male, living on the streets as a prostitute, is beaten nearly to death by a gang of Neo-Nazi skinhead punks. At a decisive moment during the fray, the leader of the punks and the young victim lock eyes. Twenty-five years later, that moment uncoils across a table at a coffee shop when both men, now employees of the Museum of Tolerance, meet to discuss a class they are to teach and they recognize each other.
The true story of these events flickered briefly across the media during 2005. The story rose and then died like all media tales as a surprising outcome to what the world saw as yet another act of violence among the blind and the frightened.
Novelist and drama instructor Davida Wills Hurwin saw the incident as a moment in human experience that stands out clear and pure as a silver bell; one that needed to be rung again and more loudly. She met with Matthew Boger and Timothy Zaal and told their stories. The result is Freaks and Revelations.
Freaks and Revelations retells the story in fiction, starting 15 years before the 1980 event. Told separately from the point of view of the two young men, the tales flows from the first pages like two rivers rushing towards a confluence, each event in these young men's lives descending through rapids that carry them decisively into each other's paths. The tales descend not just as random flotsam on some bigger flow, but as young men who build lives and communities and world views that shape their course and their ideas and create their experiences.
The choice to tell their stories in fiction was a result in part of the creative process Hurwin went through to develop this book. But in greater part it was a result of two things. First, that it is difficult to convey the immensity of human experience through nonfiction narratives. The greatest nonfiction as we know it now is drawn together with fictional tissue - some measure of the decision-maker, the actor, the victim - that we might understand the impulse and flow of events, rather than just see the milestones.
Second, the truth is victim not just to memory but to the fears and emotional strata of the players, especially young ones, and even more so, those who have lived through trauma. Our world view, our ability to build and retain a context is not only evolving in youth, but creates a false and narrow narrative for our actions. Trauma adds a layer of misdirection and encapsulation that is impossible to breach without the tools of fiction.
The telling is as gritty as their days and nights, as dark and as light as their hopes and dreams. Although Scholastic is a young adult book publisher, this story is told without the circumspect and moral overtones of most YA fiction. Sex, drugs, and violence take their proper place in these young men's stories. Hurwin has reached inside these characters and their times to let us live two lives in full surround - in taste and smell and sound.
Although the opportunity for moral heavy-handedness lurks through the entire tale, Hurwin lets the characters and events speak for themselves. The result is one of the most compelling books that frames tolerance in many years. This book rises to the category of books like The Diary of Anne Frank and Bury My Heart at Wounded Knee, books that immerse us in lives that help us see our experience in a broader, more accepting context. Freaks and Revelations does the only justice a book can do to that Los Angeles night in 1980.
Matthew and Timothy continue to work side-by-side at the Museum of Tolerance in Los Angeles. They now call themselves friends. Their road since their encounter 25 years after Matthew's beating has been rocky. But their example is a shining one. It is a privilege to read their story in Freaks and Revelations.
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No Choirboy: Murder, Violence, and Teenagers on Death Row Review

No Choirboy: Murder, Violence, and Teenagers on Death Row
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No Choirboy: Murder, Violence, and Teenagers on Death Row ReviewRiveting! I read it in one day and couldn't wait to recommend it to my high school students. The author, and the prisoners themselves, allows readers to glimpse life on the other side of prison bars that many of us know little about. The stories are poignant, truthful, painful, and insightful. The material is somewhat biased against capital punishment, but it is written in such a manner that the reader is not easily persuaded, but compelled to see such young prisoners as human. The author did a superb job presenting the material and I am a better person for reading it and highly recommend this book!No Choirboy: Murder, Violence, and Teenagers on Death Row Overview

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Payback Time Review

Payback Time
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Payback Time ReviewThis book sounded really good from the write up on it. It has a little mystery and intrigue in the high school sport area. I really liked the start of the book and could relate to Mitch (danny). The story gets really good as Mitch and Kimi try to figure out just who Angel is and where he came from.
The story at the end just falls flat and ends very abruptly. It finishes so fast that you feel like you missed alot about what exactly happened and you want to read more about the characters and their lives.Payback Time Overview

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