Showing posts with label literary. Show all posts
Showing posts with label literary. Show all posts

The Red Garden Review

The Red Garden
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The Red Garden ReviewThis story is pure Alice Hoffman magic. She begins the story in 1750 with the settlers who founded the town of Bearsville, MA (name changed to Blackwell in 1786). Every chapter moves the story to another time period concluding sometime in the 2000's. The book reads like a seamless book of short stories, each chapter informing and building on the previous. Hoffman has a gift for sharply focusing on the main character of each time period as she moves the story of this small mountain town along, revealing an inner truth.
Characters come to town, live, leave, die, wander, return but always carry the thread of the town with them. The characters are so beautifully written, it's hard to choose a favorite chapter/story. The two chapters I enjoyed most were "The Principles of Devotion", the story of a loyal dog living at the grave of his owner and the "Monster of Blackwell", a young man who separates himself from society and lives in the mountains outside Blackwell. These chapters are achingly beautiful.
The red garden refers to the founder's (Hallie Brady) garden where the soil is as red as blood and everything that grows in it is red. Perhaps a symbol of life and death; the connection we all have to nature and each other.
Hoffman doesn't go on and on with flowery prose; her writing is edited, beautiful and powerful. She always manages to capture the beauty of a moment and the setting of the story, infusing it with her understanding of humanity.
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Spinning Out Review

Spinning Out
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Spinning Out ReviewFrenchy's had a hell of a year, and now he just wants to coast through his senior year. But Stewart wants to get involved and, as his best friend, Frenchy backs him up. Their relationship, mirrored in the master-servant/leader-follower relationship of Sancho and the Don, is the driving force of this book. And it's a serious and challenging relationship. Still, Spinning Out is mostly hilarious. It's not laugh-out-loud funny; it's more subtle than that. If this book were literary fiction instead of YA, it would be called "intelligent humor." The banter between Frenchy and Stewart is always snarky, and when you throw Ralph, their pot dealer/Frenchy's mom's boyfriend, into the mix, it's gets a little out of control. In a good way. That's why, when Stewart starts to act a bit...off, Frenchy doesn't think too much of it.
Stewart falls further and further into the role of Don Quixote; it's great for the play, but hard on Frenchy. It's also hard on his budding relationship with stage manager Kaela (who is awesome-sauce). So he steps away, just a little bit. Finally able to claim a little bit of his own limelight in the role of Sancho, Frenchy separates himself just the tiniest bit from Stewart. They're still best friends (and Frenchy is a Great Friend), they're just no longer practically surgically attached.
During all of this changing and growing and relationship stuff, there is still a show to put on! Long rehearsals, music practices, hot chicks with power tools building sets, it's all there. Theater geeks and show choir enthusiasts (and fans of books like My Invented Life) will love this aspect. All readers will be treated to a meaty story in the meantime.For more information, of the spoilery variety, about what's really going on with Stewart, see my full review:
[...]Book source: ARC provided by the publisher through the LibraryThing Early Reviewers program.Spinning Out Overview

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Moondogs: A Novel Review

Moondogs: A Novel
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Moondogs: A Novel ReviewSatire, drama, comedy, fantasy, political commentary? I don't know! I just know I enjoyed spending this time in Manila with these people! I got to see a little of the life of an embassy worker, a soldier, a revolutionary, an action hero, an actor, and, of course, a witch or two. It's always nice to throw in a couple of bumbling criminals also. My children are all adults now, so I also especially enjoyed seeing a son come to terms with the reality of his father, rather than that fantasy we often grow up believing in. It's always fun to see adult children realize that both they and their parents are human! Additionally, I always enjoy a peek into an American expat community. I will definitely be watching for this new author's next book.Moondogs: A Novel Overview

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Infinite Jest: A Novel Review

Infinite Jest: A Novel
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Infinite Jest: A Novel ReviewDavid Foster Wallace is a genius, and he knows it. But unlike other geniuses that you might know, he never tries to make you feel dumb. He just wants you to understand the same things that he does, so occasionally you'll feel out of your depth. But he's also a gifted writer, so odds are that you *will* come out understanding him. And what he's saying is brilliant, so you'll feel like a better person for it.
Wallace has been described as ``postmodern", a word that seems to get smacked onto anything written after World War II. I don't see it. To me, postmodernism involves a few things: 1) irony, in liberal doses (e.g., DeLillo's _White Noise_); 2) a continuous awareness that we're *reading a book* and that there's an author talking to us, and that the characters are under his control (e.g., anything by Kurt Vonnegut); 3) self-reference, sometimes to the point of disorienting involution (e.g., Wallace's story ``Westward The Course Of Empire Makes Its Way" from his book _Girl With Curious Hair_ - and that story is, notably, a spoof of postmodernism). This may be an overly conservative definition of postmodernism, but the word's overapplication justifies some conservatism.
_Infinite Jest_ is not postmodern; it's just a great story with beautifully constructed characters. It is a book about a movie that is so addictive that anyone who starts watching it has no choice but to keep watching it forever - foregoing food, water, and sleep, and suffering as much pain as is necessary to keep watching. The movie itself is, to paraphrase a friend, an uber-McGuffin (I'm never sure whether I've spelled that right) - an object that never gets clearly explained, but around which the plot coheres.
The movie itself is not the main point of the book. _Infinite Jest_ is a novel about American addictions: television, drugs, sex, fame, and indeed the American need to be addicted to something. An addiction to addictions. Wallace summarizes the book's mood well when he says,
``There's something particularly sad about it, something that doesn't have very much to do with physical circumstances, or the economy, or any of the stuff that gets talked about in the news. It's more like a stomach-level sadness. I see it in myself and my friends in different ways. It manifests itself as a kind of lostness. Whether it's unique to our generation I really don't know."
(...)
The main sign of Wallace's genius - and yes, I mean that word with all it entails, content in the knowledge that it is overused but that it fits here - is that he can make us feel this gut-level sadness without even appearing to work at it. Heavy use of irony can make you feel that there's some deeper, unseen, lurking gloominess about the world, and for that reason it's the easy way out. Ditto self-reference, which after a while is dizzying and confusing. Wallace is too brilliant a writer to take any of the easy postmodern routes. He's just written a great story with an unpleasant underlying mood. It's been a long time since I've read a book of such masterful subtlety.
It has all the classic aspects of a great novel: characters whom the reader *understands*, a compelling story that edges inexorably toward an uncertain ending, a gut-level mood, and a habit of dispensing brilliant toss-offs so suddenly that the reader can't help but gasp. For instance, see the attached text file containing Wallace's future-retrospective explanation of why videophones failed.
My first inclination was that this book - weighing in at over a thousand pages, including hundreds of footnotes (some of which have their own footnotes) - needed an editor. And it may, at points. But there's very little chaff amongst the wheat: the book's heft serves at least three purposes:
1) To build characters, slowly and methodically. One of Wallace's flaws is that his characters' dialogue - particularly that of his youthful protagonist and tennis prodigy, Hal Incandenza - doesn't sound genuine. It sounds like Wallace talking through 17-year-olds, not 17-year-olds who've been transcribed. I think Wallace realizes this, which is why most of his character development comes through narration.
2) To dump out the contents of Wallace's swirling brain. He has so much to say, and he seems to want to get it all down on paper in this one book. Less profound thoughts from a less talented author might have left me screaming for an editor, but they didn't do so here.
3) To structure the book as a conversation. Reading this book, one feels as though one is talking directly with Wallace. More often than not, his sentences will contain heavy Latinate words like ``epicanthic" just a short distance from the conversational stammerings ``like" and ``and so but". Again, had a lesser writer written these words, I would have edited the book myself, filling the margins with red pen.
The book's length will discourage all but a few readers, but it handsomely rewards the patient.Infinite Jest: A Novel Overview

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Bury Me in My Jersey: A Memoir of My Father, Football, and Philly Review

Bury Me in My Jersey: A Memoir of My Father, Football, and Philly
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Bury Me in My Jersey: A Memoir of My Father, Football, and Philly ReviewLet me preface this review by saying that I have never been a follower of sports; not to say that I dislike them, but I have never felt the desire to watch a game. With that said, I found myself unable to tear myself away from this book once I began reading. Even though it was far from what I normally choose to read, I was captivated by the writing, the characters, and the power of the stories.
From the end of the second chapter--one of my favorite chapters--I knew that I couldn't put it down. I can't really think of a part of the book I didn't like; although some of the sports references were lost on me (most I remembered from playing Backyard Football, sadly) they were explained well enough that I felt like I knew who they were by the end.
Honestly, though, the best thing about this book were the characters. Or the people, rather. Everyone was so well described, I felt like I knew them. Their reactions were so specific that they ceased to be just names and became distinct personalities.
And the humor--you can't forget the humor. The footnotes, especially, often cracked me up. I often have trouble distinguishing in books whether or not something is meant as a joke, but I had no trouble identifying the voice here, since it was so well-defined.
Some of my favorite parts:
-"What was the point? For who? For what?" (pg. 127) I really liked the tie-in here from an earlier chapter. It seemed almost self-deprecating; there are so many parallels drawn in this book between the narrator's past and football and his dad that it seems it would take several read-throughs (at least for me) to peel back all the layers. The point is, you can tell how well-crafted the story is, just from these few glimpses. Everything has its place, its own significance, its own impact on what is, what had, and what will happen. Nothing feels out of place in any way.
-"Undergrads love it when you curse." (pg. 164) So true.
-The sample Slipknot lyrics.
-I especially liked the sections that talked about writing or teaching, though I may be biased. I found myself curious to know what story it was the Frank Conroy supposedly salvaged from the rejection pile. Also, the bond that was forged between the Dad and his son was not merely based upon football, as it is explained; there was a large emphasis on writing, and the absolute faith for his son to become a published best-selling author; each part was interwoven with the next, so that nothing felt out of place.
-I wanted to go back and count how many times some variation of "streams of urine" popped up. I ended up laughing at every occurrence after the first; just how much cleanup is involved at the Lincoln Financial Field/The Vet after a game, anyway? The part with they boy shoved in a crawlspace by his father made me cringe.
-"Cheesesteaks have always been in my blood, both literally and metaphorically." (pg. 61) For some reason, I immediately imagined little cheesesteak-shaped red blood cells. Side note: Best names of the book: Cal-Cal and Fat Stuff. Fitz and Duffy come in a close second.
-The girl who is "literally unable to walk and chew gum at the same time." (pg. 122) Priceless.
-The honesty of the writing. It is so completely, brutally truthful, it's almost painful. If you're looking for a memoir where the author portrays himself as heroic and an otherwise moral paragon, do not read this book. There is only truth--and a startlingly deep level of self-analysis that will leave you spell-bound. I doubt any of us have discovered as much about ourselves in all of our lives as the author did in 224 pages. And the narrator portrayed is someone readers can root for.
What more is there to say? There wasn't any part I disliked. Although I did not personally connect to the recounting of the games, I loved the descriptions used and the heightened language; at parts, it seemed almost poetic. At no point did I find myself skimming, or bored.
There was one part I was torn on when reading: the ending. I loved it, especially the reflection in the car mirror. But I almost felt that the previous chapter was more conclusive in its ending than the actual final chapter, and I found myself going back to compare them. But then, now that I think about it, I liked the parallel between the beginning and ending.
There is definitely something to be said for a book that leaves you deep in thought, long after you turn the last page.Bury Me in My Jersey: A Memoir of My Father, Football, and Philly Overview

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Major Pettigrew's Last Stand: A Novel Review

Major Pettigrew's Last Stand: A Novel
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Major Pettigrew's Last Stand: A Novel ReviewIt is always cause for celebration when a debut author bursts on the scene with an original and whimsical novel that is bound to capture attention. And this novel -- Major Pettigrew's Last Stand -- has much to recommend it.
Major Pettigrew is a very proper and delightfully droll widower of 68 who resides in the quaint village of Edgecombe St. Mary in Sussex, England. He is the father of Roger, a posturing and preening young man who has incorporated none of the values of his dad. And he is also the accidental suitor of the proprietress of the village mini-mart, Jasmina Ali, a 50-something Pakistani widow who shares his love of Kipling and his wry look at the world in which they both reside. The two of them -- the quintessential local and the attractive outsider -- must navigate the gossip and outright prejudice of their stilted society. Helen Simonson writes, "He (the Major) had always assumed gossip to be the malicious whispering of uncomfortable truths, not the fabrication of absurdities. Was a life of careful, impeccable behavior not enough in a world where inventions were passed around as facts?"
This is by no means "chick lit", nor is it hard-hitting politically correct narrative, couched in fiction. It is a charming English comedy of manners -- in places, a laugh-out-loud comedy. A scene, for example, where the atrocities of Pakistani Partition are reduced to a bad-taste dinner show or where the favored ducks of schoolchildren are chosen as prey for a duck hunt are satirical and spot-on.
Yet despite its gentle humor, Major Pettigrew's Last Stand touches on many of the big issues: the clash of culture and religions, the greed of unbridaled globalization, the tension between fathers and sons...and families in general. At its heart, though, it is an old-fashioned love story. I couldn't help but stand by the sidelines rooting for the Major and his lady and keep my fingers crossed for their eventual coupling. The book is an ode for anyone who refuses to give up on life or love at any stage of life. For those who love the charm of the "Guernsey Literary and Potato Peel Pie Society", you're in for yet another treat.Major Pettigrew's Last Stand: A Novel Overview

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Game of Secrets: A Novel Review

Game of Secrets: A Novel
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Game of Secrets: A Novel Review
In a time frame that moves between a father's disappearance in 1957 New England, the early 1960s and 2004, Tripp's tale is a magical blend of past and present, a drama begun of the infidelity of Luce Weld and the fiery Ada Varick, the seeds of their affair bearing fruit long after Luce's disappearance, his young daughter, Jane, watching hopefully for a father who never returns. In the 1960s, an excavation yields a skull pierced by a bullet, common rumor that this may be the fate of Luce Weld. It is seductively personal, this novel, fragments of poetry and genius, TS Eliot, Ingmar Bergman and the scattered letter tiles of a Scrabble game forming the language of family dysfunction, the vague resentments of a rebellious daughter and the weighted relationships of Jane Weld and the infamous Ada Varick. When Marne returns to the New England of her childhood, it is to a still difficult relationship with an enigmatic Jane, a mother with secrets, the tangled threads of the past as insubstantial as the Scrabble game played weekly by Ada Varick and the grown daughter of the man she loved indiscriminately.
All is revealed in this exquisitely-penned novel, random Scrabble tiles hinting of revelation, a winding down of transient hostilities and the healing attraction between a reluctant Marne and Ada's son, Ray. Tripp waves her wand over the past, discontent ameliorated by real intimacy, irresistible prose illuminating moments both fragile and tragic: "We have to go on loving what we love, knowing we will lose it." Resolution is experienced in pairs, Ada and Jane over a game board across a picnic table, Marne and Ray, Carleton and Jane's affection, Marne's paper origami flock symbolizing the elasticity of hope. Whatever was broken by Luce's obstinate passion has mended, if in unpredictable ways, the ties of fate and forgiveness inextricably woven. Tripp is a trickster, a pied piper strewing images like breadcrumbs, characters who embrace moments of absolute clarity, the unfathomable nature of "home", language that resonates in the secret landscape of the soul. Luan Gaines/2011.
Game of Secrets: A Novel Overview

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Everything: A Novel Review

Everything: A Novel
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Everything: A Novel ReviewKevin Canty writes with a spare beauty. The book is designed so that there is a lot of white space on the pages and this space carries meaning. 'Everything' is about people who are lost, looking for love, recovering from poor choices and yet have a resiliency that carries them through their damaged lives with strength and a certain dignity. Canty's characters are able to tell us as much about themselves in their silences as when they speak.
The characters that comprise this novel overlap, and each chapter is primarily about one or two of the characters. There is RL, owner of a bait, tackle and guiding shop who has not had a loving relationship in years. He is a big man - in girth, spirit and appetites. He likes his booze and he wishes desperately for a woman. He was married for a while to a Dead Head who followed the Grateful Dead for years, leaving him to raise their daughter, Layla, on his own. Layla gives meaning to his life. She is nineteen years old and a college student. When not at school, she spends her summers in the Montana wilderness with RL where most of this novel takes place. Layla is recovering from a love affair gone amiss. RL realizes that Layla is not likely to be with him for much longer. He is trying to learn how to let her go.
RL decides to take in an old lover of his who is having chemotherapy for melanoma. In the back of his mind he hopes to resurrect some sort of relationship with her despite the fact that she is married. Betsy helps give some meaning to RL's life because, with Layla in college, he faces the empty nest syndrome. With his big heart, he needs to give. However, with his huge appetites, he also expects a lot from others.
June is a close friend of RL's. She was married to RL's best friend who died eleven years ago. As the book begins, June decides to give up her widowhood. Her husband, Taylor, was her great love but now she wants another love. Eleven years of grieving is a long time. On top of that, she is a hospice worker, spending her days with the nearly dead.
Edgar is RL's employee, an artist and lover of fishing. He 'knows' fish and feels at one with the trout that inhabit the rivers of Montana. He is married with one child and another on the way. He is trying to make some difficult decisions in his life.
Canty has an inimitable sense of place. The reader feels like the Montana mountains are looming. I felt the lushness of the land, along with the hard life the inhabitants face. This is not a land for the weak but it can be a land for the lost - an end of the road place where people depend on one another. There is a lot of alcohol consumption in the book but there is rarely a mention of television or movies. Despite the loneliness of all the characters, they depend on one another for sustenance.
The characters speak to us in what they don't say as much as what they tell us. This is a book about everything that makes us human - love, work, life, money, pain, joy, loneliness and connection. Canty gets it. His characters run the gamut of the soul. They are not sweet, nor are they urbanized. I pictured them in Carrhartts and jeans, rubber boots and down parkas. I felt their hands get cold and traveled with them on the dirt roads that were slick with mud or snow. I felt their pain and I soared with them in those rare moments of joy. It takes a fine author to take me to the depths of despair and soar the height of joy with his characters.
Another wonderful book by Canty is Winslow in Love.Everything: A Novel Overview

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Light from a Distant Star: A Novel Review

Light from a Distant Star: A Novel
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Light from a Distant Star: A Novel ReviewI've read a couple of Mary McGarry Morris' books, most memorably "A Dangerous Woman" and enjoyed them very much, and the same applies here. "Light From a Distant Star" is an excellent depiction of a family in flux, as seen through the eyes of Nellie Peck, the 13-year-old protagonist. Nellie reminds me a little of Harriet the Spy, in that she's always lurking around trying to hear things she isn't meant to hear, and see what's going on in the world of the adults around her. Her parents, underemployed, ineffectual Benjamin and perpetually anxious Sandy, have a lot of financial problems, some of which they try to solve by renting a room attached to their house to various tenants, including the newest one, Dolly. Dolly is a stripper, but Nellie is told she's a singer and dancer killing time until she gets to Broadway. Other members of the household include Nellie's half-sister Ruth, a rebellious teen looking for her "real father" and brother Henry, a twitchy nervous boy constantly trying to look more in control than he actually is. Added to this group are grandpa Charlie, who runs a junkyard, and his employee Max, a drifter.
The book covers a summer and fall in Nellie's life and quite a lot happens. Although the book is low-key, there's a lot of action and many different characters, all of whom are deftly managed by Morris. The struggle of Nellie's parents to hold on to their home and business, a crime (you'll have to find out for yourself, no spoilers!), a betrayal, and Nellie's growing pains are all fascinating.
In addition to Harriet the Spy, this book reminded me somewhat of "To Kill a Mockingbird" in the sense that it draws children into the adult world in a negative way. Nellie learns that she can't always assume that her interference in other people's lives is welcome, and that adults aren't always what they seem. She deals with peers whose families define the word dysfunctional, and has to make some really tough decisions.
I highly recommend this book both for the quality of the writing (Morris is a master at depicting complicated characters and making them both sympathetic and repellent at the same time) and the interesting story. It's never dull, has great characters, and just feels "real". I wanted to read more about these characters because it felt like spending time with actual people, and I liked them and wanted them to solve their problems and get a better life for themselves. Check it out, especially if you haven't read Morris before - you're in for a treat.Light from a Distant Star: A Novel Overview

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The Killer Is Dying: A Novel Review

The Killer Is Dying: A Novel
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The Killer Is Dying: A Novel ReviewA "mystery" which is also a breathtaking and complete literary experience, this powerful novel "out-noirs" almost every "noir" novel I have ever read with its sad and desperate characters trying to cope with the miseries fate has dealt them. As they live their daily lives in various parts of Phoenix, none of Sallis's three main characters expect that things will change--they just soldier on, doing whatever it takes. The first character, Christian, is a Vietnam vet, a former medic who has been a contract killer for many years. Hired to kill a "nondescript office-dweller at a nondescript accounting firm in a featureless city [Phoenix] where everything is dun-colored," he has just discovered, at the outset of the book, that some other assassin has made the hit--and botched it. His goal is to identify the other hitman and complete the job for which he has been hired, but time is short: Christian is dying.
The second character, Jimmie Kostof, is a thirteen-year-old who has fallen through the cracks. His mentally ill mother disappeared more than a year ago, and his father, shortly afterward. Incredibly resilient, he has been staying alive in his house without being discovered by the authorities. His nights are especially difficult, however: he has somehow tapped into the nightmares of Christian, the killer. The third character, police investigator Dale Sayles, is also alone. His wife Josie, who is dying a lingering death, has disappeared, leaving a note explaining that "I'm not a survivor, Dale. I've known that all along."
The reader comes to know these characters through a series of impressionistic, descriptive episodes in which the individual characters are not initially identified. Gradually, one comes to recognize the different points of view from references to details connected with each specific character. In a literary tour de force, none of these characters associate directly with each other, and do not even know each other, during the action. They live parallel, not interconnected lives, illustrating stylistically the solitary nature of their individual lives. The minimal contact that eventually does develop at the conclusion is a glancing contact which barely registers.
As Sallis develops his themes by having his three main characters live their separate lives, he creates enormous sympathy for them, and the reader gains small measures of hope for them as they sometimes begin to reach out tentatively to connect with others. He also includes more information in fewer words than almost any other writer I have found. Every word and every image counts here, and his descriptions are memorably unique. A man's "belt buckle [was] recently let out a couple of notches so that the old half-circle hoofprints showed." The passengers on a bus are referred to as "Jonahs." Sayles, after a sleepless night, believes that "the light...out there somewhere in the night [is] feeling its way blindly toward him." Even small details, such as the books Jimmie reads and the TV programs which Christian sees and remembers reflect the themes and states of mind, adding to the novel's strength. Powerful, thoughtful, often heart-breaking, and complete, this novel reflects a kind of honesty that is rare in fiction. Mary Whipple
(WHAT YOU HAVE LEFT: THE TURNER TRILOGY; CYPRESS GROVE, CRIPPLE CREEK, SALT RIVER ) BY Sallis, James (Author) Paperback Published on (12 , 2008)
Cripple Creek: A Novel
Salt River: A Novel
The Killer Is Dying: A Novel Overview

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The Long-Shining Waters Review

The Long-Shining Waters
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The Long-Shining Waters ReviewLong Shining Waters is a lyric but dark book. Sosin is a beautiful writer, a poet really, and her book is worth reading if simply to savor her use of language.Sosin's Lake Superior is a dangerous neighbor, driving two of her main characters to the edge of sanity and beyond. The Ojibwa woman's story is powerful and stays with me, as does that of the fisherman's wife. The least memorable, save that it takes place near Schroeder where I live A View of the Lake, is that of the bar owner. There is a fourth and very strange voice in the book and one is never quite certain who or what it is. It varies at times so that just when you think you know where it comes from, it changes voice.The Long-Shining Waters Overview

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The Family Fang: A Novel Review

The Family Fang: A Novel
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The Family Fang: A Novel Review
It's such a pleasure when a book catches you totally by surprise....and you're delighted. I had absolutely no idea what to anticipate when THE FAMILY FANG arrived - the title reminded me of the Muensters. Well, yes, the Fangs are certainly an outre family but the plot is nothing short of inventive, spellbinding, and amazing.
Caleb and Camille Fang are performance or conceptual artists who use their two children, Annie and Buster, otherwise known as Child A and Child B, as integral parts of their pieces (think of Buster donning a sparkly gown and wig to win a beauty contest or throwing himself on the floor of a mall and shoving giant handfuls of jelly beans into his mouth when his mother's coat reveals the sweet bounty she has just shoplifted. Or, consider Annie plucking a guitar string and singing along with Buster in pitiful voices as they sit on the street beside a guitar case with a sign in it reading, "Our dog needs an operation. Please help us save him."
To the senior Fangs their art is everything regardless of the toll it may be taking on their children. But eventually the children do grow up and leave home. Each tries to create a life and career for themselves, but are unable to make it work. Left with one choice - to return to their parents' home, Annie and Buster do just that. It begins again with the elder Fangs trying to create performances using their children. But then, quite suddenly, Caleb and Camille vanish at a roadside rest stop. Has something dire happened to them or this just another work of art?
Kevin Wilson has fashioned a wise, witty, fantastic novel, delving into familial relationships, and how actions or non-actions may affect each generation.
- Gail CookeThe Family Fang: A Novel Overview

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The Great Leader Review

The Great Leader
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The Great Leader ReviewSomething less than a rant, Jim Harrison's "The Great Leader" reads like the ruminations of a randy old geezer who hasn't lost his sexual itch and is struggling to come to terms with his fading prowess while lamenting lost love.
Fact is, though, unless you've already finished Harrison's previous two novels "The Farmers Daughter" (2009) and "The English Major" (2008), you've probably never experienced rumination that's this erudite and passionate on so many subjects and as satisfying as a good day fishing the riffles on a favorite trout stream.
Harrison is preoccupied with many of the same issues as essayist Edward Hoagland whose meditations in "Sex and the River Styx" cover much of the same ground - nature, sex and mortality. But Hoagland tends to lament while Harrison is most often exuberant and inclined to look for the hilarity often entwined with the absurdities of life.
Harrison's latest is another of his good reads, especially if you're a male who like his main character Simon Sunderson, suffers from advanced middle age (he's 65), has a gourmand's appetite and is still wrestling with a tickly libido. If that's you, "The Great Leader" is pitch-perfect in its rendering of your often perplexed state of mind and your woeful physical disintegration.
The further he slips into geezerhood, the randier Harrison seems to get. The book plants itself on the other end of the spectrum from prissy. If you thought "The English Major" indelicate in any way, I'd suggest passing on "The Great Leader." Sex inherently lends itself to comedy but at some point what's bawdy becomes raunchy. Harrison isn't there yet, but with each new novel he seems to be getting closer.
A thread of narrative weaves through the "Great Leader. The story remains mostly in the background as Sunderson, unhappily divorced from his beloved former wife Diane and recently retired as a law enforcement officer in Michigan's Upper Peninsula, tracks down a cult leader and sex offender named Dwight, The Great Leader, who now calls himself King David.
The hunt takes Sunderson to the outback of Arizona and into the wide-open spaces of Nebraska. Although he's now retired, Sunderson wants to close out this case as his last act after serving forty years as "janitor trying to clean up the culture's dirt." Sunderson wants to move on and spend his time "investigating the nature of nature."
The story is really about the natural world and Sunderson's respect for the Northwoods and its indigenous people and their culture. His best friend Marion, a mixed-blood Anishinabe (Chippewa), is the voice of wisdom and of Native American lore and legend that saturates this very reverent book.
Mona, who is sixteen years old and sexually precocious, lives next door and enjoys trying to entice Sunderson. I suppose she represents today's mores, our dependence on technology and living in the moment. The large cast of oddball characters also includes cult members Queenie and Carla and Sunderson's 87-year-old mother who has never lost the ability to intimidate.
Even more so than Hemingway, Harrison gives definition to the word macho, which in Sunderson's world is described as "male braggadocio." Harrison's novels are stuffed with tales of "manly pursuits" hunting, fishing and womanizing. Yes, there's a lot of sex, which for Harrison is "the biological imperative." He refers often to and has many names for the male sexual organ and it's described in a variety of states at rest and at play. And as often as he mulling over sex, the act and its meaning, he is talking about food.
Good eating and good sex for Harrison are like two peas in the same little pod. Dining on menudo, a Mexican dish made from tripe, is for Sunderson a vaguely sexual experience, "the labial texture made him horny."
Harrison also likes to quantify things: his fifth worst hangover, his best ever sandwich was, "a real pile of brisket on rye slathered with the hottest horseradish possible so that tears of pain and pleasure came freely" and seven, the number of double whiskeys he prefers to drink in one sitting.
Harrison has written more than thirty books in his long and esteemed career. I'll go on reading everything of his published. Two of his best are the memoir "Off to the Side" (2003), which chronicles an interesting life well lived and his 2002 collection of food writing "The Raw and the Cooked", a celebration of food and Harrison's gusto for good eating.
Obviously, I'm admirer of the writer and Harrison, the person, who admires "even the crudest manifestations of nature." I feel some sort of kinship. I'm Harrison's age. I head to Lake Superior to clear the mind. I share most all of his appetites. Like Harrison, I wait for April when trout season opens. (I'm one up on the writer because as far as I know he's never had the thrill of fishing the streams of the Driftless Area of Southwest Wisconsin.)
I mention all this because it's a clear indicator I'm a biased Harrison reader. With that disclosure - and I believe I've set aside my bias and am being objective here - "The Great Leader" is as moving, memorable and lusty as anything on the Harrison bookshelf.
[4.5 of 5 stars]
The Great Leader Overview

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The Pale King Review

The Pale King
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The Pale King ReviewThere are so many different reasons to love David Foster Wallace's work, and so many reasons to feel that his death ripped an irreparable hole in the fabric not just of literary culture in America, but also in our daily world. In everything he wrote, DFW was grappling with the hardest subject of all--what does it feel like to be alive, not generally, but specifically, in the here and now, with billions of details crashing through our fields of perception? For that reason, although always dark, his work shimmers with a kind of graceful light. He was a philosophical novelist in the way the great nineteenth century Russians were. He couldn't hide the fact that he loved people, and he loved teasing out the unique predicaments that people encounter by just being people who love things and hate things and want things and enjoy things and grow tired and jealous and bored.
These elements, and more, are abundantly available in The Pale King, DFW's unfinished novel. In terms of organization, it is understandably a huge mess, although neatened admirably by the editor. But who reads DFW for conventionally organized plots? And why should you read this novel? For starters:
1) The language. DFW is a masterful stylist, a brainiac who always could have sounded much more intellectual than he chose to, instead embracing an easy-going, colloquial tone because he wanted people to read his books. The opening lines of PK alone ring with the linguistic sensibility that sounds like him and him alone. His signature music courses through passage after passage. His verbal precision, so simple word-wise, gives a jolt by making you see things in a new, though until-now, overlooked, way.
2) The characters. Sure, they're a lot of them. Some will grab you, others won't. But at least one of them you'll probably recognize and glom on to and follow and love. The great thing about the juicy, rich, character-bound novels of DFW is that you really can (and must) skim through the sections that bore you. (Skimming, skipping, lingering, underlining and rereading are interactive engagements that mean the book is making you do things with it and to it over a long period of time.) This is another way DWF is like Tolstoy and Dosteovesky. Just read, they seem to say, don't try to think too hard as you read. And then read again and again. This isn't school, after all. This is LIFE.
3) The humor. The idea/hook is, let's face it, flat out funny. And poignant. A novel set in an IRS Center in Peoria. The po-mo stuff is also sardonic, even as it's instructive. If you don't like the "apparati" ignore them. And you'll see why they're not just snooty, but also funny ha ha. DFW was, tragically, too smart for his own good, but he tries not to be too smart for us, and that disjunction laces the novel with humor. I also suspect that he took it in stride that people would inevitably make fun of him too; that's how we work.
4) The love of mind. This book brims with it, not negatively, as in his masterpiece Infinite Jest, but more sloppily. DFW was not afraid to address the fact, and to delve into it for page after page, that we have minds, and that what we choose to do with our minds every day of our lives is what makes us finally who we precisely, irrefutably are. If this is a novel about the plague of boredom, it is also a revelation about the rippling power of imagination and play, flexibility and hope, as it copes with and escapes from that plague. This power lies within each individual. We may be amused, or tempted to mock, but really what makes anyone measurably any better than anyone else? If I'm really using my mind, I'll know the answer.
This mindful modesty is, of course, DFW's greatest legacy. He was a critically depressed man of prodigious talents who could have become simply a seething cultural critic, marked by a sense of superiority to the masses. But he wasn't superior--his depression made him see that--so he chose, and it was a choice he kept making from page to page, section to section, to be both kind and sardonic to all of us, as equals, at once. This is the combination that makes him wonderful to read. His hugeness, his too-muchness, may feel annoying at times, but this immensity also feels brimming with possibility. There's nothing neat about The Pale King, and that makes it unusually wonderful. It doesn't seem to be "over," because it is in no way "finished." It's raggedy and keeps going.
Such a novel-ish thing can teach you how to read with patience and generosity and a curious openness to lived experience. Another DFW trademark. He understood that writers have an obligation to make their readers work for their reward. The work needn't be grueling, but the truth is, reading through a novel should be a little like living through a life. You should feel that you've really done something big, been somewhere life-changing, by the time you're through.
If you like novels to be neat, pre-packaged, tied-up, not roiling and complicated and baggy, chances are you won't love anything by David Foster Wallace, but reading him will teach you something about yourself. He's that good.
If this will be the first DFW for you, I recommend starting not here but with his first published boyish novel The Broom of the System, and reading your way through them all. You'll find the same brilliance and snarkiness, tenderness and dark, precise humor, shot through with simple hope. Enjoy.The Pale King Overview

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